Author: Arden Eaton
Waxed - Record Review from Issue #17 Sept-Oct 1998
Various Artists – Treasures Left Behind: Remembering Kate Wolf
Nina Gerber, Kate Wolf’s longtime friend and musical collaborator, is an accomplished, versatile guitarist, and one of the most respected accompanists and arrangers in acoustic music today. For some time, Gerber has contemplated making a solo album. While compiling material, she realized that the enormous influence Wolf had upon her career needed to be acknowledged [...]
Waxed - Record Review from Issue #16 July-Aug 1998
Johnny Cash / Willie Nelson – VH1 Storytellers
It’s the K.I.S.S. formula (not the rock band, but “keep it simple, stupid”) — two stools, two guitars, and two of country’s biggest superstars playing live in a casual, acoustic setting, a pair of old friends swapping songs and stories. A sure-fire recipe for success? Well, depends on your expectations. If you were hoping for [...]
Not Fade Away - Reissue Review from Issue #8 March-April 1997
Hank Shizzoe – Low Budget
Hank Shizzoe, aka Thomas Erb, is a Swiss artist with American influences on a German label. Low Budget was originally recorded in 1994 but has just been released in the U.S. Shizzoe has a lowdown, bottom-heavy approach to the countrified blues. There are four covers on the disc, but the 11 original songs are where [...]
Waxed - Record Review from Issue #6 Nov-Dec 1996
Rocky Burnette – Tear it Up
The photo on the cover says it all: A baby, bediapered Rocky Burnette (circa 1954) clutches a toy guitar to his chest, index finger emphatically flung towards dad Johnny (who’s a-pickin’ and a-grinnin’), as if to say, “Go, Dad, go!” The self-proclaimed “son of rock ‘n’ roll” comes by his title honestly. Dad Johnny and [...]
Waxed - Record Review from Issue #5 Sept-Oct 1996
J.J. Cale – Guitar Man
The premiere perpetrator of the laid-back Oklahoma country-blues shuffle is back in fine form on his 12th outing. It’s the strongest body of work J.J. Cale has offered in years. The title track opens with a lovely, speaker-bouncing, twangy fade-in, reminiscent of the Byrds’ “Wasn’t Born to Follow”. A nice steady beat anchors the song [...]
