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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Bob Townsend

The Long Way Around - Feature from Issue #75 May-June 2008

Blue Mountain – Muscle memory

“It was so different back then, with the word-of-mouth thing. People weren’t looking it up on the internet, but were actually reading a magazine.” – Laurie Stirratt You can feel a joyful yearning wash over the Atlanta audience as guitarist Cary Hudson and his Blue Mountain bandmates — bassist Laurie Stirratt and drummer Frank Coutch [...]

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The Long Way Around - Feature from Issue #72 Nov-Dec 2007

Steve Earle – Love and death

More than a decade on, most features about Steve Earle still recall his darkest days, when drink and drugs ruined multiple marriages and nearly killed him, finally landing him in jail. Earle says he understands how that sort of knee-jerk sensationalism comes with “the job” of being a well-known musician, actor and activist. But he’d [...]

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Bound - Book Review from Issue #70 July-August 2007

As Far As You Can Get Without A Passport

Anyone who has met Peter Case may be familiar with at least one of the tales he tells in the first installment of his heartbreakingly beautiful memoir, As Far As You Can Get Without A Passport. But, as John Doe points out in the intro, you don’t need any knowledge of who Case became to [...]

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Waxed - Record Review from Issue #62 Mar-Apr 2006

Shawn Mullins – 9th Ward Pickin’ Parlor

In 1998, Shawn Mullins emerged from the same Atlanta folk club scene that spawned the Indigo Girls (and current hitmakers Sugarland) with a platinum album, Soul’s Core, and a chart-topping pop single, “Lullaby”. Later, he joined with Pete Droge and Mathew Sweet in the Thorns, a group that released an album of sunny harmonies that [...]

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The Long Way Around - Feature from Issue #56 March-April 2005

Vic Chesnutt – The life you save may be your own

Fate has been good to me You may not understand how I can be thankful to be where I am To be where I am. – Vic Chesnutt, “Ignorant People” Vic Chesnutt wheels himself into the room, gliding over the wooden floorboards with a sudden whoosh. “Hey,” he says, stifling a stray yawn under his [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Drive-By Truckers – The Dirty South

The Drive-By Truckers established themselves as the fiercest contemporary incarnation of southern rock in 2001 with Southern Rock Opera, a sprawling, 20-song, two-CD opus that weighed in on what they referred to as “the duality of the southern thing.” Last year they followed up with Decoration Day, a step forward in musical sophistication that pointed [...]

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Miked - Live Reviews from Issue #51 May-June 2004

Grant-Lee Phillips – Echo Lounge (Atlanta, GA)

Appearing self-effacingly bemused as ever, Grant Lee Phillips, the former leader of 1990s alt-pop cult band Grant Lee Buffalo, showcased his considerable talents as a songwriter and singer, keeping the guitar players in the crowd scratching their heads as he coaxed whispers and screams from his electrically-charged acoustic 12-string, all the while never seeming to [...]

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Miked - Live Reviews from Issue #49 Jan-Feb 2004

Tell Us The Truth Tour – Variety Playhouse (Atlanta, GA)

At an afternoon press conference for the Tell Us The Truth Tour, Steve Earle told reporters that the concert at Atlanta’s Variety Playhouse would be a combination of “show business and activism.” Those words proved true from the start, as Lester Chambers, of the ’60s-’70s psychedelic funk band the Chambers Brothers, led Earle, Billy Bragg, [...]

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Not Fade Away - Reissue Review from Issue #42 Nov-Dec 2002

Jason & The Scorchers – Still Standing

Produced by Tom Werman (who made records with rock bands from Mötley Crüe and Molly Hatchet to Cheap Trick and Blue Oyster Cult), 1986′s Still Standing was a move toward the mainstream for Jason & the Scorchers. But in retrospect, it seems more like the beginning of the end of the band that epitomized hard-rocking [...]

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Town and Country - Shorter Artist Feature from Issue #39 May-June 2002

David Barbe – Learning the curve

Relaxing on a cozy couch in the control room of his studio, Chase Park Transduction, David Barbe is doing his best to recall the twists and turns of his musical career. But after 30 minutes, he’s talked almost as much about his love of baseball, his hatred of the corporate record industry, and his current [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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