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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Brian J. Barr

Town and Country - Shorter Artist Feature from Issue #61 Jan-Feb 2006

Jenny Lewis – Looking back to see

Jenny Lewis of Rilo Kiley has a face like a china doll framed by a retro shag haircut. Her easy figure is often adorned in prized vintage attire. Yet something about Lewis’ ’60s/’70s chic is oddly genuine, suggesting she was maybe born in the wrong decade. Her solo debut Rabbit Fur Coat only deepens such [...]

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Waxed - Record Review from Issue #60 Nov-Dec 2005

Sun Kil Moon – Tiny Cities / Iron Horse – Pickin’ On Modest Mouse: A Bluegrass Tribute

Northwest indie-rockers Modest Mouse have been a target for both doe-eyed reverie and lip-curled hatred, but regardless of which camp you align with (I fall deeply into the former), it’s impossible to deny frontman Isaac Brock’s lyrical obsession with the afterlife, interstates and urbanization of the west. If critics have paid minimal attention to his [...]

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Waxed - Record Review from Issue #56 March-April 2005

M. Ward – Transistor Radio

Portland singer-songwriter M. Ward stresses that Transistor Radio was intended for vinyl, but for practical purposes was released on CD. Regardless of the format, the music is blatantly separated into two parts: sixteen songs, eight to a side. Side A’s instrumental opener “You Still Believe In Me” features Ward’s light-fingered plucking backed by an echo. [...]

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Waxed - Record Review from Issue #54 Nov-Dec 2004

Steve Turner & His Bad Ideas – Self-Titled

Humility! The word is so often lost on modern artists — but former Mudhoney guitarist Steve Turner is a near master of it. Turner made his debut as a solo act last year with Searching For Melody, a humble affair that meshed his punk roots with his fondness for folk songs. This amalgamation, which he [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Laura Veirs – Carbon Glacier

Some inhabitants of the Pacific Northwest feel it is not a geography, but rather an energy. Something about gray skies, rain, foggy mountains and tall Douglas firs imparts a sense of mystery, a Zen-like awareness. Much of the music that comes from the Northwest is steeped in this same energy, but few have rendered it [...]

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Waxed - Record Review from Issue #52 July-Aug 2004

Ken Stringfellow – Soft Commands

Ken Stringfellow’s follow-up to 2001’s Touched, bears the mark of consistent movement. A glance at the CD booklet notes reveals the various geographies Stringfellow’s schedule has found him in: The songs were written and recorded in Seattle, New York, Hollywood, Vancouver, Athens, Sweden and Paris. No surprise, then, that the record feels more like a [...]

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Waxed - Record Review from Issue #51 May-June 2004

Clay Bartlett – Fixin’ to Break Down

As a recent sideman for the Supersuckers and session player for Gerald Collier’s Low Tar Taste, Clay Bartlett has paid a few dues in the Northwest alt-country scene. Partly because of this, Fixin’ To Break Down is bubbling with urgency and doused with the knowledge of an artist who has done his songwriting homework. Plenty [...]

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Waxed - Record Review from Issue #50 March-April 2004

An American Starlet – The Duchess Of Hazard

An American Starlet combines the heartache of classic country with the minor-key flare of Northwest indie rock. The Duchess Of Hazard, the band’s second outing, might as well be its first; following the release of 2001’s overlooked Sweet Country Melodies, singer-songwriter Ian Parks disbanded the group (then based in San Francisco) and relocated to Seattle [...]

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Waxed - Record Review from Issue #49 Jan-Feb 2004

Evangeline – Big Choice

Evangeline’s sophomore outing is drenched in Americana romanticism, covering plenty of classic country-folk territory. Big Choice opens with “Little World”, a song of wanderlust that nods to early-’70s Jackson Browne. The fleeing-hometown theme is a well-traveled one, but vocalist Jennifer Potter’s soprano is crystal enough to steer it away from cliché. When guitarist/songwriter Chris Cline [...]

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Waxed - Record Review from Issue #48 Nov-Dec 2003

Downpilot – Leaving Not Arriving

It’s a fine line between melancholy and moping, but Downpilot walks that line with superb grace. With its brooding lyrics and hooks that haunt you in the middle of the day, Leaving Not Arriving is full of romantic meditations that brilliantly capture life’s complexities. Frontman Paul Hiraga’s austere delivery of the album’s opening couplet ,”I [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • CD Reissue Review: Irma Thomas - In Between Tears (Fungus/Alive, 1973/2013)
    Irma Thomas' lost early-70s soul sides After relocating from New Orleans to Los Angeles, soul queen Irma Thomas largely disappeared from public view for a few years. But a series of singles produced by Jerry Williams (a.k.a. Swamp Dogg) on the indie Canyon, Roker and Fungus labels led to this eight-track release in 1973. Williams had proven himself… […]
  • CD Reissue Review: Eddy Arnold - Complete Original #1 Hits (RCA / Real Gone, 2013)
    All twenty-eight of Eddy Arnold's chart-topping singles For most artists, a twenty-eight track collection of their biggest chart hits would be a fair representation of their commercial success. In Eddy Arnold's case, twenty-eight #1 singles only very lightly skims the surface of nearly thirty-nine consecutive years of chart success that stretched… […]
  • Emmylou Harris and Rodney Crowell at Sage Gateshead
    What can I tell you? I’ve been a fan of Emmylou Harris since I first saw The Last Waltz at the cinema in 1979 and Rodney Crowell ever since a friend gave me a copy of Diamonds and Dirt on cassette as a birthday present. So, finally seeing not only one of them in concert, but both together had made me nervously excited for weeks in advance. If you don’t know […]
  • Great Escape, Brighton, UK - Day Three
    By day three I'm starting to flag, but Canada House at the Blind Tiger looks intriguing: a line-up sponsored by music organisations from three of the western provinces. I'm off to Alberta at the end of July, so this could be a good warm-up. 'We're here to show you that Western Canada is about more than just wheatfields, gravel roads and k […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]

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