Jump to Content

Author: Brian J. Barr

Town and Country - Shorter Artist Feature from Issue #61 Jan-Feb 2006

Jenny Lewis – Looking back to see

Jenny Lewis of Rilo Kiley has a face like a china doll framed by a retro shag haircut. Her easy figure is often adorned in prized vintage attire. Yet something about Lewis’ ’60s/’70s chic is oddly genuine, suggesting she was maybe born in the wrong decade. Her solo debut Rabbit Fur Coat only deepens such [...]

Read More…

Waxed - Record Review from Issue #60 Nov-Dec 2005

Sun Kil Moon – Tiny Cities / Iron Horse – Pickin’ On Modest Mouse: A Bluegrass Tribute

Northwest indie-rockers Modest Mouse have been a target for both doe-eyed reverie and lip-curled hatred, but regardless of which camp you align with (I fall deeply into the former), it’s impossible to deny frontman Isaac Brock’s lyrical obsession with the afterlife, interstates and urbanization of the west. If critics have paid minimal attention to his [...]

Read More…

Waxed - Record Review from Issue #56 March-April 2005

M. Ward – Transistor Radio

Portland singer-songwriter M. Ward stresses that Transistor Radio was intended for vinyl, but for practical purposes was released on CD. Regardless of the format, the music is blatantly separated into two parts: sixteen songs, eight to a side. Side A’s instrumental opener “You Still Believe In Me” features Ward’s light-fingered plucking backed by an echo. [...]

Read More…

Waxed - Record Review from Issue #54 Nov-Dec 2004

Steve Turner & His Bad Ideas – Self-Titled

Humility! The word is so often lost on modern artists — but former Mudhoney guitarist Steve Turner is a near master of it. Turner made his debut as a solo act last year with Searching For Melody, a humble affair that meshed his punk roots with his fondness for folk songs. This amalgamation, which he [...]

Read More…

Waxed - Record Review from Issue #53 Sept-Oct 2004

Laura Veirs – Carbon Glacier

Some inhabitants of the Pacific Northwest feel it is not a geography, but rather an energy. Something about gray skies, rain, foggy mountains and tall Douglas firs imparts a sense of mystery, a Zen-like awareness. Much of the music that comes from the Northwest is steeped in this same energy, but few have rendered it [...]

Read More…

Waxed - Record Review from Issue #52 July-Aug 2004

Ken Stringfellow – Soft Commands

Ken Stringfellow’s follow-up to 2001’s Touched, bears the mark of consistent movement. A glance at the CD booklet notes reveals the various geographies Stringfellow’s schedule has found him in: The songs were written and recorded in Seattle, New York, Hollywood, Vancouver, Athens, Sweden and Paris. No surprise, then, that the record feels more like a [...]

Read More…

Waxed - Record Review from Issue #51 May-June 2004

Clay Bartlett – Fixin’ to Break Down

As a recent sideman for the Supersuckers and session player for Gerald Collier’s Low Tar Taste, Clay Bartlett has paid a few dues in the Northwest alt-country scene. Partly because of this, Fixin’ To Break Down is bubbling with urgency and doused with the knowledge of an artist who has done his songwriting homework. Plenty [...]

Read More…

Waxed - Record Review from Issue #50 March-April 2004

An American Starlet – The Duchess Of Hazard

An American Starlet combines the heartache of classic country with the minor-key flare of Northwest indie rock. The Duchess Of Hazard, the band’s second outing, might as well be its first; following the release of 2001’s overlooked Sweet Country Melodies, singer-songwriter Ian Parks disbanded the group (then based in San Francisco) and relocated to Seattle [...]

Read More…

Waxed - Record Review from Issue #49 Jan-Feb 2004

Evangeline – Big Choice

Evangeline’s sophomore outing is drenched in Americana romanticism, covering plenty of classic country-folk territory. Big Choice opens with “Little World”, a song of wanderlust that nods to early-’70s Jackson Browne. The fleeing-hometown theme is a well-traveled one, but vocalist Jennifer Potter’s soprano is crystal enough to steer it away from cliché. When guitarist/songwriter Chris Cline [...]

Read More…

Miked - Live Reviews from Issue #48 Nov-Dec 2003

Joe Henry – Sunset Tavern (Seattle, WA)

It’s been said that a song’s power can be tested when it’s sung in a different language. While Joe Henry kept his vocals in English for this performance, it was the music that seemed foreign. Stripped of their usual lush production and instrumentation, his songs certainly stood the test. Backed by Jennifer Condos on bass [...]

Read More…

From the Blogs

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter