Author: Corey duBrowa
Town and Country - Shorter Artist Feature from Issue #71 Sep-Oct 2007
Flat Mountain Girls – Postmodern traditionalism
“The reason these songs are so cool, and have lasted so long, is that the people who originally sang them were telling what was true for them,” explains Rachel Gold of the Flat Mountain Girls’ fascination with the old-time sounds of the 1930s and ’40s. “They’re like a gift from the past; a musical time [...]
Waxed - Record Review from Issue #50 March-April 2004
The National – Sad Songs For Dirty Lovers
Growing up Catholic in Cincinnati apparently qualifies as more of a condition than a circumstance. To judge from Cincy native Greg Dulli’s work with the Afghan Whigs (sordid tales of debauchery and destruction infused with a lingering guilt) and now fellow Ohioan Matt Berninger’s world view as frontman for the National (ditto, but laced with [...]
Town and Country - Shorter Artist Feature from Issue #48 Nov-Dec 2003
Richmond Fontaine – Willy and the poor boys
To succinctly sum up Richmond Fontaine’s watering hole of choice: Lucky’s, isn’t. The band’s co-founders — singer-songwriter Willy Vlautin and bassist Dave Harding — have chosen to meet at what might charitably be called a workingman’s neighborhood joint in the heart of inner-city Portland, Oregon. You could also accurately call Lucky’s an alcoholic’s bar, the [...]
Waxed - Record Review from Issue #48 Nov-Dec 2003
Innocence Mission – Befriended
Befriended is the Innocence Mission’s seventh full-length album in its 17-year career, and probably its best. It’s marked by slow, deliberate cadences delivered by gently strummed acoustic guitars, lightly plunked piano keys, and waves of tremolo that shimmer like summer blacktop. Then there is singer Karen Peris’ distinctive warble, a voice with obvious similarities to [...]
Waxed - Record Review from Issue #45 May-June 2003
Lisa Germano – Lullaby For Liquid Pig
Former John Cougar Mellencamp fiddler Lisa Germano spent the last five years almost completely out of music. Since releasing her fifth solo album, Slide, in 1998, Germano was dropped by her record company, took a job at a bookstore in Hollywood, and apparently spent a moment or two in therapy, getting in touch with a [...]
Waxed - Record Review from Issue #44 March-April 2003
Various Artists – The Slaughter Rule Soundtrack
The farther Jay Farrar and Jeff Tweedy run from the lengthening shadow of Uncle Tupelo, the closer together their parallel paths seem to travel. Occasionally, these routes even bisect one another: Tweedy took a bow as a soundtrack artist in 2002 with his eccentric, moody score for Ethan Hawke’s Chelsea Walls, and Farrar now duly [...]
Town and Country - Shorter Artist Feature from Issue #44 March-April 2003
Amelia – Biding their time
If those who don’t learn from history are likely to repeat it, then perhaps those who most acutely feel the lessons of the past are the best candidates to completely set it aside and start afresh. Three-quarters of torch-twang ensemble Amelia served time with the Flatirons, a band that produced one promising disc (1999′s Prayer [...]
Town and Country - Shorter Artist Feature from Issue #41 Sept-Oct 2002
Spigot – Low sights, high hopes
Spigot’s two primary wheels — vocalist, songwriter, and group firestarter Nann Alleman, and harp player/serial good-guy David Lipkind — are sitting in a booth at Portland’s Laurelthirst pub, sucking down a series of Olympia stubbies. The pair stare intently at their recently-removed bottle caps, trying to sort out the picture-puzzles imprinted on them. Alleman sounds [...]
Waxed - Record Review from Issue #40 July-Aug 2002
Beachwood Sparks – Make The Cowboy Robots Cry
From the country-rock moves of last year’s glittering Once We Were Trees to the retro-rodeo wear the group sports in its photo shoots, Beachwood Sparks have sought to summon the psychedelic ghosts of the late-’60s L.A. country-rock scene. On this six-song EP, however, they appear to be heading into their own uncharted domain. They stir [...]
Miked - Live Reviews from Issue #39 May-June 2002
Christy McWilson – St. John’s Pub (Portland, OR)
There’s an old adage suggesting the opening night of a tour is rarely more than a paid rehearsal. Christy McWilson, late of Seattle’s Picketts and fresh on the heels of the release of her fine sophomore album Bed Of Roses, began a ten-date tour on this uncommonly warm spring evening with a band that hadn’t [...]
