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Author: Crispin Sartwell

Waxed - Record Review from Issue #50 March-April 2004

Robert Lockwood Jr. – The Legend Live

Somewhere out there, the last few veterans of World War I drift off to sleep with their memories of the trenches, the Somme, the gas. The history is still there; the direct human connection soon won’t be. The same might be said of the great era of blues, with a couple of differences. First, the [...]

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Waxed - Record Review from Issue #42 Nov-Dec 2002

Tom Armstrong – Songs That Make The Jukebox Play

Obviously, musical styles develop and change over time. But just as obviously, to establish a style is to establish a permanent possibility of expression. If you really want to play like Bob Marley, or the Rolling Stones, or Elmore James, or the Ramones, or for that matter Beethoven, you can. That is of course not [...]

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Sittin' & Thinkin' - Essay from Issue #41 Sept-Oct 2002

The Unbearable Whiteness of Being Country

Let’s face it: Country music today is made by, for, and about white people. This is at least as true of alt as traditional country, as true of Austin as Nashville, as true of bluegrass as Top-40. You could name a hundred or more of the best or most successful alt-country artists before you’d hit [...]

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Waxed - Record Review from Issue #38 March-April 2002

Gurf Morlix – Fishin’ In The Muddy

Gurf Morlix, the self-named producer and sideman for everyone, can, it turns out, write like a mother, sing like a mother: in short, deliver like a mother. Alt-country/folk-rock in the vein of once or future Gurflings such as Buddy & Julie Miller and Lucinda Williams, this album also has a peculiar sensibility: head utterly in [...]

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Waxed - Record Review from Issue #37 Jan-Feb 2002

Chris Richards – Jam The Breeze

Sometimes the recordings of a great songwriter are clumsy or otherwise imperfect. But sometimes that makes them all the more touching and beautiful. Chris Richards’ performance of these ten magnificent songs is not polished, but that is not to say it is not in its own way perfect. The style is melancholy, trad country in [...]

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