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Author: Darryl Smyers

Waxed - Record Review from Issue #74 March-April 2008

Collin Herring – Past Life Crashing

Fresh off a couple of stops in rehab, Fort Worth’s Collin Herring releases his third effort, Past Life Crashing, an unflinchingly autobiographical journey through the heart of a troubled songwriter. Not surprisingly, the material here is much more somber (and sober) than that of his fantastic sophomore effort, The Other Side Of Kindness, but the [...]

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Screen Door - Last Page Essay from Issue #70 July-August 2007

Flags of Our Brothers

“After my brother was killed, it was easy for me to think that the world was an awful place,” says singer-songwriter Kristy Kruger. “I needed to know that the world is full of wonderful people, and that’s what I’m finding out.” Kruger, who grew up in Dallas but now resides in Los Angeles, is in [...]

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Waxed - Record Review from Issue #70 July-August 2007

Keegan Dewitt & The Sparrows – Self-Titled

Raised in Portland but now residing in New York, Keegan Dewitt has also studied acting and written a play. He brings the more positive aspects of his dramatic experiences to his songs. His debut is a treasure of well-constructed, relatively mellow Americana. Songs such as “Bed Of Mercy” and “So High So Low” are radio-friendly [...]

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Waxed - Record Review from Issue #69 May-June 2007

Mark Erelli – Innocent When You Dream

After the political and emotional catharsis of 2006′s Hope And Other Casualties, Mark Erelli deserves the respite of this (mostly) covers collection. Performed primarily solo (with occasional help from Jeffrey Foucault), the material reveals Erelli as a fan of both conventional folk-rock and some experimental avenues of alt-country. Erelli doesn’t provide much interpretation to the [...]

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Waxed - Record Review from Issue #69 May-June 2007

Roddy Hart – Bookmarks

Scottish wunderkind Roddy Hart has the heart and soul of a Nebraska farm hand. Tough, sentimental and straightforward, the songs collected on Bookmarks, his surprising debut, bear all the hallmarks of classic Americana. Hart’s big-eyed, yearning prose and wide-open sound goes well with Springsteen and Earle, two obvious influences; his supporting cast here includes such [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Bob Egan – The Glorious Decline

A side-man best known for his work with Wilco and Blue Rodeo, Bob Egan is a talented vagabond, a roots-rock virtuoso unafraid to cross borders and genres. The Glorious Decline, Egan’s third solo release, is an impressive collection of atmospheric country and folk, imbibed with weary narratives and suspicious characters. “An Airport Bar On Christmas [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Barton Carroll – Love And War

The sophomore solo effort from Barton Carroll, noted for his contributions to Crooked Fingers, Azure Ray and Micah P. Hinson, is a rare treatise that can handle the overwhelming subject matter of its title. Focusing on the understated, Carroll delivers a collection of folk/country that features his dry, affecting vocals and inventive fretwork. Inspired by [...]

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Town and Country - Shorter Artist Feature from Issue #67 Jan-Feb 2007

Theater Fire – Sounds as big as Texas

Watching Theater Fire onstage is like watching a ghost band. Instruments and voices fade in and out of the rootsy mix like weary apparitions. Donald Feagin and Curtis Heath, the group’s main songwriters and vocalists, appear at the microphone like storytellers relaying some secret, ancient texts, as the band locks into its relaxed but steady [...]

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Waxed - Record Review from Issue #65 Sep-Oct 2006

Great Lakes – Diamond Times

For a co-called psychedelic pop combo, the Great Lakes throw a surprising amount of rootsy irreverence into their third release. The Athens, Georgia, band’s lineup has included members of Neutral Milk Hotel and Of Montreal, so one might expect the kind of angular, retro new wave pop associated with those groups. Once the gorgeous opening [...]

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Waxed - Record Review from Issue #64 July-Aug 2006

Mark Erelli – Hope & Other Casualties

Mark Erelli’s fourth effort is the rare treatise that works both as an artistic and political statement, an attentive examination of current times interwoven with matters of the heart. Erelli carried these songs around for several years, with thoughts of September 11 and some personal missteps stewing in his brain, nagging at him. “Imaginary Wars” [...]

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