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Author: David Hill

Miked - Live Reviews from Issue #48 Nov-Dec 2003

Benefit For Alejandro Escovedo – Slim’s (San Francisco, CA)

Like millions of Americans, Alejandro Escovedo, dogged seven years now by hepatitis C, has no medical insurance. Yet the master of moody roots chamber music has hundreds of musicians, from legends to locals, throwing benefits to defray his expenses (check www.alejandrofund.com for one that may be happening near you). San Francisco’s ran four hours, to [...]

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Not Fade Away - Reissue Review from Issue #44 March-April 2003

New Riders Of The Purple Sage – Self-Titled

If Buck Owens and Don Rich had dropped some acid and become hippies, it’s quite possible their music would have sounded a lot like the debut of the New Riders Of The Purple Sage. Fronted by a Palo Alto, California, singer and songwriter named John “Marmaduke” Dawson, the band formed in 1969 when Dawson, steeped [...]

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Waxed - Record Review from Issue #39 May-June 2002

Jim Lauderdale – The Hummingbirds / Jim Lauderdale, Ralph Stanley & The Clinch Mountain Boys – Lost in the Lonesome Pines

Jim Lauderdale already had The Hummingbirds in the can last year when, at the last minute, he decided to go back to the studio and record an entirely new album. The result was The Other Sessions, a superb collection of tear-in-your-beer country songs. While The Hummingbirds lacks that disc’s focus, it’s no less satisfying. Contemporary [...]

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Not Fade Away - Reissue Review from Issue #39 May-June 2002

Roy Acuff – Songs of the Smoky Mountains

When Roy Acuff signed a contract with Capitol Records in 1953, he was 50 years old and a country music superstar, even though he hadn’t had a hit in many years. He ruled the roost every Saturday night on the Grand Ole Opry, but his string-band style was already something of an anachronism, having lost [...]

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Not Fade Away - Reissue Review from Issue #37 Jan-Feb 2002

Johnny Cash – America: A 200-Year Salute In Story And Song / Ragged Old Flag

It’s always been tempting to dismiss Johnny Cash’s so-called “patriotic-themed” albums — he recorded several for Columbia — as little more than cartoonish curiosities. Who wouldn’t rather hear Cash sing “Big River” or “Folsom Prison Blues” than recite the Gettysburg Address? Sure, America: A 200-Year Salute In Story And Song, from 1972, has its kitschy [...]

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Not Fade Away - Reissue Review from Issue #35 Sept-Oct 2001

Marty Robbins – Live Classics

Like his musical soulmate, Elvis Presley, Marty Robbins refused to be confined to one particular style of music. He began his career singing country weepers, but he was just at home doing rock ‘n’ roll, cornball pop, gospel, Hawaiian, and cowboy numbers. His remarkably smooth voice — without a trace of hillbilly twang — was [...]

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Waxed - Record Review from Issue #35 Sept-Oct 2001

Katy Moffatt – Cowboy Girl

Katy Moffatt was supposed to be a big country star. Back in the early days of country rock, she recorded two albums for Columbia (her 1976 debut was produced by the legendary Billy Sherrill). Despite good reviews, Moffatt was considered too eclectic for the mainstream, and Columbia dropped her. Since then, she’s carved out a [...]

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Not Fade Away - Reissue Review from Issue #34 July-Aug 2001

Monroe Brothers – Just A Song Of Old Kentucky

Bill Monroe’s 1930s recordings with his brother Charlie have been unavailable for so long that it seemed reasonable to think they were of little significance. Wrong. The 60 sides recorded by the Monroe Brothers for Bluebird Records from 1936 to 1938 are forgotten classics of American music, and their reissue in four volumes, two of [...]

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Waxed - Record Review from Issue #33 May-June 2001

Charles Sawtelle – Music From Rancho deVille

As guitarist for Colorado bluegrass band Hot Rize, Charles Sawtelle was known for his subtle, economical style. Taking full advantage of his 1937 Martin D-28, he would play his leads mostly on the low strings, which produce the most resonant tones. His rhythm playing was decidedly unflashy but full of soul. Hot Rize always had [...]

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Screen Door - Last Page Essay from Issue #32 March-April 2001

Still Life

It all started one Sunday morning several years ago at the Rose Bowl Flea Market in Pasadena, California. There, among the mission furniture, the Fiesta ware and the art pottery, I came across a vintage color publicity photograph of Gene Autry. He was wearing a white Stetson and a Pendleton blanket-style coat, and he was [...]

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