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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: David Menconi

Town and Country - Shorter Artist Feature from Issue #60 Nov-Dec 2005

Stillhouse – Still on the side

In the dog days of January 2004, Tift Merritt’s backup band was at loose ends — hanging around Raleigh, North Carolina, while Merritt was out in Los Angeles making her Tambourine album with George Drakoulias. But before they’d become Merritt’s country-rock Carbines, they’d been a rock band called Stillhouse. So guitarist Dave Wilson, drummer Zeke [...]

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Waxed - Record Review from Issue #59 Sept-Oct 2005

Bob Mould – Body Of Song

The longer an artist sticks around, the more pronounced the struggle becomes between two conflicting impulses: the desire to indulge in weird tangents vs. the desire to please an audience by sticking to one’s strengths. Too much of the latter can put you in a serious rut. But too much of the former can result [...]

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Waxed - Record Review from Issue #58 July-Aug 2005

Stephen Malkmus – Face The Truth

You only get to surprise people once. Stephen Malkmus did that back in 1992 with Pavement’s Slanted And Enchanted, a signpost of ’90s alt-rock and a record of intense, startling originality. Through another four Pavement albums and as a solo act, Malkmus has honed his combination of push-pull melodies and angular rhythms to the point [...]

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Farther Along - Obituary from Issue #57 May-June 2005

George Scott: 1929 to 2005

It seems odd to say that a singer as powerful as George Scott was quiet. But Scott, who died in his sleep on March 9 at age 75 in Durham, North Carolina, was the quiet Blind Boy Of Alabama. Clarence Fountain has always been the long-lived gospel group’s gregarious frontman, and Jimmy Carter the guy [...]

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Waxed - Record Review from Issue #57 May-June 2005

Anders Parker – The Wounded Astronaut

“I know that some say rock is dead,” Anders Parker declares on the penultimate song of his new EP. “But I never heard a word they said/’Cause my guitar was set on fire/As I destroyed my amplifier.” Then Parker proceeds to do just that, launching into a frantic double-time outro that sounds like he’s trying [...]

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The Long Way Around - Feature from Issue #56 March-April 2005

Sarah Lee Guthrie & Johnny Irion – Gathering stones together

Eyes closed, Johnny Irion stands at the microphone with his hands in his pockets and croons the same line over and over: “Always…Lookin’ out…Got your back…Always lookin’ out for you.” He’s the only one in the studio who can hear the accompanying music, which is being played through his headphones. So it’s only natural that [...]

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Waxed - Record Review from Issue #56 March-April 2005

Marianne Faithfull – Before The Poison

When last heard from, Marianne Faithfull was playing the devil in Robert Wilson’s stage version of The Black Rider, making Faustian bargains with unsuspecting mortals. You could call that typecasting, given Faithfull’s image of wizened decadence. On the other hand, you can imagine Faithfull herself making a perverse deal with some nameless underworld figure to [...]

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Waxed - Record Review from Issue #55 Jan-Feb 2005

Moaners – Dark Snack

The first sound on Dark Snack is a screeching electric guitar, which would be Melissa Swingle’s way of declaring her intentions right up-front: After five albums of gothic alt-country with Trailer Bride, Swingle is ready to let the feedback fly. Not that she has completely forsaken her former band’s eccentricities. Dark Snack sounds southern, rural [...]

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Waxed - Record Review from Issue #54 Nov-Dec 2004

Clarence “Gatemouth” Brown – Timeless

The first time I saw Clarence “Gatemouth” Brown play live some years back, I was amused to see him puffing away on the same kind of pipe as my dad. The joke got even better when I went back to interview Brown between sets, and discovered the tobacco he’d been stuffing into that pipe wasn’t [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Paul Westerberg – Folker

Paul Westerberg really should just go ahead and make an album called Hamlet and get it over with. Going all the way back to the Replacements, Westerberg has spent his career obsessing over commitment issues involving loyalty, romance and fame. He rarely makes a declaration without some sort of qualifier, usually leaving himself a back-door [...]

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From the Blogs

  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]

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