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Author: Ed Ward

Bound - Book Review from Issue #75 May-June 2008

Black Like You: Blackface, Whiteface, Insult & Imitation In American Popular Culture/Cross The Water Blues: African American Music In Europe/I Got Thunder: Black Women Songwriters And Their Craft

One thing I’ll always admire Boy George for was his statement that he hated white people. True, it was just aimed to shock tabloid readers, but his explanation was that white was the absence of color, and without color, life was dull. Of course, he himself was Caucasian and British, but there’s no denying that [...]

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Not Fade Away - Reissue Review from Issue #72 Nov-Dec 2007

Buell Kazee – Self-Titled

Reverend Buell Kazee (1900-1976) was no ordinary folk singer, with degrees in Greek and Latin, not to mention classical voice training and serious theological study. Raised in the mountains of eastern Kentucky (Magoffin County), he grew up with his mother’s hymns and ballads and his father’s banjo picking. It wasn’t until he was studying literature [...]

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Not Fade Away - Reissue Review from Issue #72 Nov-Dec 2007

Aretha Franklin – Rare & Unreleased Recordings From the Golden Reign of the Queen of Soul

Jerry Wexler gets it right when he says in the liner notes that when it comes to putting out alternate takes, “pop songs, unlike jazz solos (say, by Monk, Bird or Trane), did not require such treatment.” He’s also right when he notes that Aretha’s outtakes would do any normal singer proud. That’s why this [...]

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Not Fade Away - Reissue Review from Issue #71 Sep-Oct 2007

Various Artists – Atlantic Blues, 1949-1970

In 1949, Granville “Stick” McGhee (And His Buddies) saved Atlantic Records from Shakespeare. Stick had recorded a song called “Drinkin’ Wine”, and one of Atlantic’s distributors needed a bunch of copies but couldn’t find it. Atlantic did them one better: They found Stick and his older brother Brownie and re-recorded the tune. It became an [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Roches – Moonswept

The good news is, theyyyyyy’re still Maggie and Terre and Suz-zy, those intricate sisterly harmonies intact after a ten-year hiatus. They’re still interspersing dark, personal songs with wackiness, which probably goes over real well in their live show. The bad news is…well, for all its virtues, I’m not sure I want to listen to Moonswept [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Various Artists – Allons Boire Un Coup: A Collection Of Cajun And Creole Drinking Songs

This mostly wonderful collection of songs of intoxication and regret is, like the new Valcour label, partially the brainchild of Joel Savoy, son of Marc and Ann Savoy. A second-generation musician and folklorist, he’s recording his own generation’s take on Cajun music, which, reassuringly, sounds pretty much like it always has. But not entirely: Inspired [...]

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Bound - Book Review from Issue #67 Jan-Feb 2007

Daynce Of The Peckerwoods: The Badlands Of Texas Music

What a bizarre artifact this book is! We can start with the title. Has anyone out there ever seen the word “dance” spelled like that? And just what are Texas music’s “badlands”? The place where nothing grows? It gets weirder inside. Michael H. Price is a Fort Worth newspaperman who is author or co-author of [...]

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Not Fade Away - Reissue Review from Issue #67 Jan-Feb 2007

Various Artists – Friends Of Old Time Music: The Folk Arrival, 1961-1965

In 1961, my two best friends were twins with left-wing parents. One of them was into folk music, and after he played me a Pete Seeger album, I was, too. I went to the library, and there was just what I wanted, three boxes of LPs called Anthology Of American Folk Music, which I brought [...]

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Bound - Book Review from Issue #65 Sep-Oct 2006

Group Harmony: The Black Urban Roots Of Rhythm & Blues

Whither rockademia? In the decade or so since rock ‘n’ roll became an approved area for academic study, there’s been precious little published on it that’s of much use or interest to the engaged fan or non-academic scholar. Simon Frith’s ground-breaking Sound Affects and some of Greil Marcus’ weightier stuff remain exceptional in that you [...]

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Not Fade Away - Reissue Review from Issue #64 July-Aug 2006

Spencer Wiggins – The Goldwax Years

I’m continually awed by the depth of soul music during its golden years, which started in the mid-’60s and drifted off in the early ’70s, holding on longer in the south. Every time I think the well’s run dry, another discovery — a singer, a label — comes into view. Ladies and gentlemen, Spencer Wiggins. [...]

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