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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Eric Babcock

Not Fade Away - Reissue Review from Issue #52 July-Aug 2004

Shrimp Boat – Something Grand

I have a theory about the perfect gift, which is basically this: The perfect gift is something that for the receiver has equal likelihood of being (a) warmly acknowledged then promptly discarded, or (b) cherished forever. And — critical in the process — either reaction is equally fine with the giver. Perfect gifts are often [...]

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Not Fade Away - Reissue Review from Issue #49 Jan-Feb 2004

Various Artists – Angola Prison Spirituals

I’ll be honest: I have a hard time getting past the sociological here. I mean, this was recorded at the Angola “work farm,” widely known for its brutality and corruption (less so in the mid-1950s when this was recorded than at the turn of the century, but still…). How many of these guys were behind [...]

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A Place to be - About a Place from Issue #47 Sept-Oct 2003

Down at the Crossroads

The Delta is too obstinate to care that it’s an alluvial plain, too poor to take its students off the critical needs list, too steeped in fabled funk to leave alone; even if, like Muddy Waters, come departure time one’s fondest wish is never to return. Could be it’s the devil or the cottonfields or [...]

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Waxed - Record Review from Issue #42 Nov-Dec 2002

Ramsay Midwood – Shoot Out at the OK Chinese Restaurant

I don’t know who Ramsay Midwood is or where he’s from, but if I had to guess from the clues on Shoot Out At The OK Chinese Restaurant, I’d say he’s Tony Joe White, busted flat along the road back to Oak Grove, Louisiana, after an ill-conceived trip to L.A., and these songs are his [...]

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Miked - Live Reviews from Issue #42 Nov-Dec 2002

Precious Bryant – Station Inn (Nashville, TN)

If Nashville’s majestic Ryman Auditorium, with its long wooden pews and stained-glass windows, is country music’s mother church, then the Station Inn, with its dim lights, battered tables and Hatch Show Print-covered paneling, is that church’s funky basement rec room. And while the high-impact evangelists (Johnny & June, Emmylou et al.) understandably got the most [...]

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A Place to be - About a Place from Issue #36 Nov-Dec 2001

Reborn on the bayou

Festivals Acadiens in Lafayette, Louisiana, is held annually over the third weekend in September. After the events of the 11th, organizers consulted with local police and clergy, then declared their intention to proceed with this year’s festival. Their press release included this quote: “Evil does not have the last word.” That was good to hear. [...]

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Screen Door - Last Page Essay from Issue #33 May-June 2001

Springs by Southwest

Sometimes the best part of SXSW is those letters on the opposite edge of the compass: the trip home. I can cannonball from Chicago to Austin in 17 hours via expressways, but the trip back along the blue highways takes days, dedicated to languishing among folks who know little and care less about how CDs [...]

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Not Fade Away - Reissue Review from Issue #31 Jan-Feb 2001

Hank Williams – Alone With His Guitar

Race on down to your local dry goods store, or haven’t you heard? — Hank Williams has a new record out! The pace has picked up again in the last decade (after an uncommonly dry spell in the 1980s), but thanks to the prescient ingenuity of the folks at MGM, and now the market attentiveness [...]

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Not Fade Away - Reissue Review from Issue #28 July-Aug 2000

Willie Nelson – Red Headed Stranger

The language of myth is indirect, metaphorical, and narrative in structure.…The movement of mythic narrative, like that of any story, implies a theory of cause-and-effect, a theory of history; but these implications are only rarely articulated as objects of criticism, since their operation is masked by the traditional form of the narrative, its conformity to [...]

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Screen Door - Last Page Essay from Issue #9 May-June 1997

Meanwhile, Back at the Ranch… In Memory of the Sundowners

To describe The Ranch as unlike any other place on earth would be misleading, for it was in fact very much like a great many other places: It was a country music bar. Like every country bar, the Double-R Bar (which was its official name, printed like a cattle brand, a circle with two capital [...]

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From the Blogs

  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]

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