Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Author: Erik Hage

Waxed - Record Review from Issue #51 May-June 2004

Coal Palace Kings – Live at the Garden Grill

Albany, New York, is a strange nexus. There, the state highway crosses and splits to different compass points, connecting disparate cultures — tumbling north from New York City to Montreal, winding west from Massachusetts to Buffalo. At this crossroads, you’re at once immersed in New York state politics yet a stone’s throw from New England, [...]

Read More…

Waxed - Record Review from Issue #50 March-April 2004

Tom House – That Dark Calling

Writers fairly consistently and fairly accurately yoke Tom House to tradition — the mineshaft caterwaul of Dock Boggs, for example. But House also seems to occupy his own musical world, a surreal, American primitive landscape full of fleabag beauty, poetic mind shapes, and intriguing, oddball non-verbalisms (liquid purrs, primal scat warbles and amiably bubbly vibrato). [...]

Read More…

Bound - Book Review from Issue #48 Nov-Dec 2003

Eight Miles High: Folk-Rock’s Flight From Haight-Ashbury To Woodstock

Even if you don’t fully subscribe to Richie Unterberger’s big bang theory — that is, that the collision of folk and rock resulted not only in “folk-rock” but in various mutant strands, including acid rock and country rock — Eight Miles High and its prequel, Turn! Turn Turn!, represent some of the most thorough pop-music [...]

Read More…

Waxed - Record Review from Issue #47 Sept-Oct 2003

George Usher Group – Fire Garden

The pair of openers, “Are You Coming Or Going?” and “The Day Before I Found Her”, pretty much typify the intent here – cascading, chiming guitar figures and sweet stinging leads propelling George Usher’s euphoniously arty popcraft. The former member of Beat Rodeo and the Schramms has a pure pop heart, but much like fringe [...]

Read More…

Waxed - Record Review from Issue #47 Sept-Oct 2003

Amy Allison – No Frills Friend

Amy Allison’s third album adds new dimensions to the vocalist’s pose as downtown NYC country chanteuse. The opener, “What’s The Deal?”, evokes the easy, pastoral roll of the Byrds’ “Ballad Of Easy Rider”; it is lush, winsome and reflective all at once, with Allison’s evocative, funny little voice providing comfort even as it hints at [...]

Read More…

Waxed - Record Review from Issue #45 May-June 2003

Crooked Fingers – Red Devil Dawn

Eric Bachmann, who led North Carolina indie-rockers Archers Of Loaf throughout the ’90s, took a turn from insouciant noise-pop to melancholy when he initiated Crooked Fingers in 2000. Red Devil Dawn, the third Crooked Fingers album, continues that mode — but this time around there’s also a surprising levity at work, with the tunes coming [...]

Read More…

Waxed - Record Review from Issue #44 March-April 2003

Mark Selby – Dirt

With Dirt, Mark Selby stretches beyond the fairly direct blues-rock boundaries of his 2000 debut More Storms Comin’. Selby has had a lucrative run penning songs for such radio-friendly folks as Trisha Yearwood, the Dixie Chicks, Jo Dee Messina and Kenny Wayne Shepherd. On his own, however, he adheres to more rugged principles, letting his [...]

Read More…

Waxed - Record Review from Issue #44 March-April 2003

Ry Cooder & Manuel Galbán – Mambo Sinuendo

Ry Cooder is an iconoclast and a searcher, and when he chooses his collaborators, he tends to ally himself with characters just as fiercely enigmatic. This is to be expected from a man who pores through discarded, cheap guitars, looking for a sound or tone he hasn’t yet heard (except in his mind). It was [...]

Read More…

Waxed - Record Review from Issue #42 Nov-Dec 2002

Laura Cantrell – When The Roses Bloom Again

Laura Cantrell has consistently posited herself as a fan first and foremost, not only through her duties as a DJ at famed freeform station WFMU, but also with her 2000 debut album, Not The Tremblin’ Kind. On the latter, she championed great songwriters such as Joe Flood, Amy Allison and Robert McCreedy, covering their songs [...]

Read More…

Waxed - Record Review from Issue #41 Sept-Oct 2002

Sixteen Horsepower – Folklore

There’s a precarious line between high lonesome and high drama, and Sixteen Horsepower certainly topple over into the latter. Critics have frequently attributed some dark Appalachian influence to the group’s sound, but in truth their music is more cosmopolitan than mountain. This is high theater, and Folklore evokes London more than any dark holler, especially [...]

Read More…

From the Blogs

  • Rod Kennedy (1930-2014) and the Kerrville Folk Festival - Interview & Remembrance
    Rod Kennedy’s legacy is incalculable for those who truly love music, he departed this earthly plane on Monday 14th April 2014. R.I.P. The following “warts and all” late May 1986 interview with Mr. Kennedy, the founder of the Kerrville Folk Festival, was the lead feature in the debut issue of the Kerrville Kronikle fanzine sometime around 1988. No serendipity […]
  • Katie Herzig - Walk Through Walls (Album Review)
    Once upon a time, Katie Herzig wore her heart on her sleeve and wielded an acoustic guitar, both apropos of being a singer/songwriter. These days, though, she keeps company with synthesizers and drum loops. Yeah, the heart is still right there on the sleeve, but now you can groove to its beat. Herzig's new collection, Walk Through Walls, is a song cycle […]
  • Exclusive Premiere of Cowboy Jack Clement's "Let the Chips Fall"
    Cowboy Jack was one of the most beloved country and Americana artists of his generation. For proof, just look at the list of artists who showed up to lend a hand on his final album: John Prine, Emmylou Harris, Bobby Bare, Duane Eddy, T Bone Burnett, Vince Gill, Marty Stuart, Rodney Crowell, Buddy Miller, Dan Auerbach, Leon Russell, Gillian Welch, Dave Rawlin […]
  • Reagan Boggs on Americana Music Show #187
    On episode 187 of the Americana Music Show, Reagan Boggs plays 3 tracks from Quicksand and talks about writing songs about tough ladies and the value of simple songs. Also on this episode, heartland rock & roll from Chuck Ragan, indie rock from Jonny Two Bags, southern rock from Jimbo Mathus, honky… […]
  • Easy Ed's Sideshow of Solos, Duets and Ensembles: Session #42
    Welcome to the 42nd installment of random thoughts, trivial facts. occasional fiction, poetry, haikus, photos, artwork, stories of fleeting fame and dastardly deeds, and videos or tunes that may have caught my attention or fancy of late. As you can see by the picture at the side, I've got dessert on my mind, and in particular...pies. The Oxford Companio […]
  • St. Vincent in Concert: As Performance Artist, Annie Clark Shows Her True Colors
    One of the most intriguing aspects about attending a St. Vincent concert is the anticipation. What will Annie Clark do next? That’s what one high-strung son of someone was thinking for the rest of us while pressed up against the barrier leaving just enough breathing room between entertainer and her target audience as March wound down while that inevitable da […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!

Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter