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Author: Jim Cox

Waxed - Record Review from Issue #14 March-April 1998

Hangdogs – East Of Yesterday

Let’s just cut to the chase: East Of Yesterday is one heck of a good record. Sweet melodies, rockin’ guitars, irresistible hooks, twangy steel and fiddle, knowing lyrics, and straight-ahead singing combine to form a string of fine songs propelled by a great sound. Hailing from New York City, the Hangdogs are singer and primary [...]

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Waxed - Record Review from Issue #14 March-April 1998

Little Sue – Chimneys & Fishes

The adjective “Appalachian” may be overused, but Portland, Oregon, singer Little Sue — a.k.a. Susannah Jean Weaver — is in fact originally from West Virginia, and she sounds, well, Appalachian. Her voice has a rawness and a slight quaver, but it also has an Emmylou Harris-like quality and a confident presence. With her debut record, [...]

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Town and Country - Shorter Artist Feature from Issue #11 Sept-Oct 1997

Clodhopper – Old-school American Music

Late last summer, Clodhopper visited the Tractor Tavern in Seattle to open for the Red House Painters. My lasting impression turned out not to be from he headliner, but rather the opening act, which energized the crowd with their take on old-timey mountain songs and their quietly personal originals. Clodhopper’s leader, singing and trading lead [...]

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Waxed - Record Review from Issue #11 Sept-Oct 1997

Wayne Hancock – That’s What Daddy Wants

Wayne Hancock’s debut, Thunderstorms And Neon Signs, was one of those records I wanted to like more than I actually did. It featured a bunch of good songs, and it effectively reached back into the ’50s and conjured up a true honky-tonk sound. But the whole affair seemed a little forced, Hancock trying just a [...]

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Town and Country - Shorter Artist Feature from Issue #8 March-April 1997

Goody Blick & The Country Kind – Hailing from the state of cornfusion

“Say we’re from Ballard, not Seattle.” These are the first words spoken by Goody Blick and Anne Marie Ruljancich as we sit down at the Crocodile Cafe for an interview. Ballard is a sleepy Seattle neighborhood that’s home to a large contingent of aging Scandinavians and the roots-friendly music rooms at the Backstage and the [...]

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Waxed - Record Review from Issue #7 Jan-Feb 1997

Ronnie Mack – Born to Rock

If you’ve spent time in Southern California and you like to go out and see a good country music show, chances are you already know a thing or two about Ronnie Mack. He’s the keeper of the flame at Ronnie Mack’s Barn Dance, a venerable Tuesday night institution that started more than seven years ago [...]

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Waxed - Record Review from Issue #7 Jan-Feb 1997

Chris Wall – Any Saturday Night in Texas

I first found out about Chris Wall a few years ago when Jerry Jeff Walker covered two of his songs on his Live At Gruene Hall record. Those songs reflected the two sides of Chris Wall’s work. The first, “I Feel Like Hank Williams Tonight”, is a beautiful and smart country tune about pain, loss [...]

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Not Fade Away - Reissue Review from Issue #2 Winter 1995

Speedy West & Jimmy Bryant – Stratosphere Boogie: The Flaming Guitars of Speedy West & Jimmy Bryant / Jimmie Rivers and the Cherokees – Brisbane Bop, Western Swing: 1961-64

In just a few carefully crafted studio sessions in the early 1950s, Speedy West and Jimmy Bryant transformed western swing with an infusion of jazz and a rejection of traditional pace and structure. Their brilliant defining work paved the way for gutty practitioners like Jimmie Rivers, who, over the following decade, developed loyal local followings [...]

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Not Fade Away - Reissue Review from Issue #6 Nov-Dec 1996

Rosie Flores – A Honky Tonk Reprise

I first became familiar with Rosie Flores because of the fine company she keeps — dueting with Dave Alvin, singing along with Bob Neuwirth, appearing on A Town Sound of Bakerfield, backing Chris Gaffney, touring with Wanda Jackson, contributing a track to the Tulare Dust Haggard tribute. These are some dang fine credentials, but in [...]

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Waxed - Record Review from Issue #6 Nov-Dec 1996

Belle Starr – Far as the Wind Blows

Perhaps St. Louis is uniquely positioned as the nexus of musical influences (country, rock, blues, boogie, pop, punk) that created bands such as Uncle Tupelo and the Bottle Rockets. If so, then Belle Starr leader and songwriter Kip Loui has extracted a different blend on this impressive debut from a band that really doesn’t sound [...]

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