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Author: Jim Desmond

Miked - Live Reviews from Issue #75 May-June 2008

Mary Gauthier / Mark Olson – Lola’s (Portland, OR)

I’ve been pondering lately what it means for someone to be authentic, though it sure is evident when it’s not present (see ya around, Mitt). In music, as much as we might get off on an assumed persona like Ziggy Stardust, what lasts is the genuine article: Neil Young, John Lennon, Bob Marley come immediately [...]

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Town and Country - Shorter Artist Feature from Issue #70 July-August 2007

Casey Neill – A bridge to the Highlands

Portland may have been Casey Neill’s home for the past two years, but the heart of his new, career-defining record, Brooklyn Bridge, belongs to New York City. “Some of it is my history as a kid there,” Neill says. “And some of it is my recent history there. The first gigs I did in New [...]

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Waxed - Record Review from Issue #70 July-August 2007

Luther Russell – Repair

It’s an all-too-familiar story, with a couple twists. Promising young major-label artist gets dropped, his band (here, the Freewheelers) breaks up, and a couple solo indie releases later, the guy wonders what happened to his career and regroups. In Luther Russell’s case, add on top of that a tough divorce. So he moved back to [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Kristin Hersh – Learn To Sing Like A Star

What’s most impressive about Kristin Hersh’s eleventh record since leaving Throwing Muses (eight solo, three with 50 Foot Wave) is her total and fearless commitment to artistry, owing nothing to no one, no hint of influence or desire to please any audience. As with a great PJ Harvey or Alejandro Escovedo record, effort from the [...]

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Miked - Live Reviews from Issue #64 July-Aug 2006

Gary Louris & Mark Olson – Aladdin Theater (Portland, OR)

This reunion show was as on-key as it was low-key. Gary Louris and Mark Olson quietly walked onstage about 8:05 p.m. (there was no opener); Olson saluted the crowd, and they both sat down on stools to embark on the first of two sets. (Louris: “Per the management; first time we’ve done two sets since [...]

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Town and Country - Shorter Artist Feature from Issue #60 Nov-Dec 2005

Chocolate Genius – A quest for a tribe

You might not expect a man who calls himself the Chocolate Genius to make a subtle, understated record, but Marc Anthony Thompson is not easily pigeonholed. Black Yankee Rock, released in October on Commotion Records, completes an ambitious trilogy of records, which Thompson describes as “a narrative that looks at family, faith and future.” The [...]

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Waxed - Record Review from Issue #58 July-Aug 2005

White Stripes – Get Behind Me Satan

The complex urban chemistry of Detroit has produced some of this country’s most enduring popular music. Its fabled industrial past attracted generations of laborers, particularly blacks and hillbillies from the south, in search of the American dream. More recently, the Motor City’s overwhelming troubles have marked its inhabitants with a tough determination and an indefatigable [...]

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Miked - Live Reviews from Issue #57 May-June 2005

Bob Dylan / Merle Haggard / Amos Lee – Chiles Center, (Portland, OR)

I go to see Bob Dylan perform every chance I get. If Picasso were going to paint tonight in the public square and I could get a ticket to watch, I wouldn’t miss that either. Dylan shows are idiosyncratic, spontaneous and far more adventurous than those of most young acts, much less other established superstars. [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Guided by Voices – Half Smiles of the Decomposed

After releasing about twenty records over twenty years, shuffling the lineup twenty times, and playing more than 1,000 live shows, the absurdly prolific Robert Pollard is retiring his sort of legendary, almost famous rock band Guided By Voices on New Year’s Eve 2004 at a club in Chicago. But not until leaving their zealous fans [...]

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Town and Country - Shorter Artist Feature from Issue #51 May-June 2004

Ellis Hooks – An Old Soul

While Ellis Hooks is completely open about his admiration for Otis Redding and Sam Cooke, the 30-year-old is in many ways a first-generation soul singer. His story is as amazing as his voice, both of them so strikingly good that you’d think some publicist made them up. His father was a sharecropper in southern Alabama, [...]

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