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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Jim Musser

Waxed - Record Review from Issue #75 May-June 2008

Scotland Barr & The Slow Drags – All The Great Aviators Agree

You would think, judging by the luckless, 100-proof subjects on this album, that Scotland Barr has seen the underside of the bar and the soul-crushing side of relationships far too often to have retained a sense of humor, let alone to have enough unpickled brain cells to recall more than a blurry kaleidoscope of disjointed [...]

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Waxed - Record Review from Issue #72 Nov-Dec 2007

Nyles Lannon – Pressure

Sez here singer-guitarist Nyles Lannon keeps several irons in the fire, serving as wing-man in Krayg Burton’s shadowy slowcore combo Film School as well as gleeping and beeping with techno vendors Technicolor. But never is he so much himself as when he works under his own given moniker. Lannon’s 2004 disc Chemical Friends offered up [...]

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Waxed - Record Review from Issue #71 Sep-Oct 2007

Dead Rock West – Honey and Salt

Boasting a top rhythm section, a do-it-all keyboardist, a charismatic female/male fronting duo — powerhouse belter Cindy Wasserman and guitarist/vocalist/harmonicat Frank Lee Drennen — this well-met group of savvy road vets gelled into a remarkably distinct, cohesive unit right out of the gate. Honey And Salt is ‘Big Sky’ western rock with an inside-country draw [...]

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Waxed - Record Review from Issue #69 May-June 2007

Lucy Kaplansky – Over The Hills

There is a serenity, a stillness, in Lucy Kaplansky’s work that almost deflects attention; it’s a quality that may have contributed to her being overlooked in the AOR/post-folk world of Mary Chapin Carpenter, Shawn Colvin, et al. On her sixth solo outing since 1994, Kaplansky is joined by a core group of string wizards (Larry [...]

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Waxed - Record Review from Issue #69 May-June 2007

Scott Miller & The Commonwealth – Reconstruction

Probably too smart by half for his own damn good, William & Mary alum Scott Miller has straddled the cerebral and the visceral since at least his days with the Knoxville-based V-Roys. But while there doubtless are some “early-stuff-is-best” doorknobs who’ll steadfastly insist he cut his peak work with that fine alt-pop outfit, the Virginia [...]

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Waxed - Record Review from Issue #66 Nov-Dec 2006

Fernando – Enter To Exit

Born in Argentina and raised in the SoCal Mexican barrio of Pacoima, Fernando Viciconte fronted hard-rockers Monkey Paw before relocating to Portland, Oregon, in 1994. His sixth disc (and first in five years) finds the singer-songwriter backed by an accomplished outfit including Chet Lyster and Derek Brown of the Eels and Paul Brainard of Richmond [...]

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Waxed - Record Review from Issue #66 Nov-Dec 2006

Dan Reeder – Sweetheart

As with his brilliant, eponymous 2003 debut, Sweetheart is all Dan Reeder. The American expat provides all the vocals, writes everything (except the minimalist reading of Procol Harum’s “Whiter Shade Of Pale” that closes the set), and plays all the instruments (which he either designed and built himself or rescued from the trash heap). He [...]

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Bound - Book Review from Issue #65 Sep-Oct 2006

Sixtyeight Twentyeight

There’s no telling how the promising musical career of Vince Bell might have played out had he avoided that near-fatal auto accident in late 1982. It is difficult to imagine it would have been as interesting, provocative or inspirational as the one that emerged — slowly but triumphantly — from the wreckage of that December [...]

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Waxed - Record Review from Issue #65 Sep-Oct 2006

Bo Ramsey – Stranger Blues

A steady, grounding, and somewhat ghostly presence on the midwestern blues-rock-folk scene for more than three decades, guitarist Bo Ramsey has etched an enigmatic career arc. He broke out as a frontman with a play-all-night outfit in the ’70s, then meshed heady singer-songwriter aspirations with elastic guitar moves (1991′s Down To Bastrop is an enduring [...]

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Waxed - Record Review from Issue #65 Sep-Oct 2006

Mary Karlzen – The Wanderlust Diaries

Despite her deceptively girlish delivery, Mary Karlzen brings a mature approach to this diverse collection. Karlzen took a well-received walk-in-the-park with the majors on 1995’s Yelling At Mary (Atlantic), but her hard-to-pigeonhole approach lacked radio traction, and she slipped out of the mix. Now a wife and mother of two, she returns with a stylish [...]

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From the Blogs

  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]

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