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Author: Jim Nelson

Not Fade Away - Reissue Review from Issue #57 May-June 2005

Jim Watson, Tommy Thompson & Mike Craver – Meeting In The Air: Songs Of The Carter Family Sung And Played by Jim Watson, Tommy Thompson & Mike Craver Of The Original Red Clay Ramblers

Tribute albums such as this were comparatively rare in 1980. While this one was not the first (that honor goes to Flatt & Scruggs), it just might be one of the best. What makes it work so well is that Watson, Thompson and Craver understand what makes the Carter Family’s music so special: It’s about [...]

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Waxed - Record Review from Issue #54 Nov-Dec 2004

Alice Gerrard – Calling Me Home: Songs Of Love And Loss

Depending on when one became aware of Alice Gerrard, she might be thought of as a bluegrass singer and guitar player, a singer-songwriter who crafted songs that blended country sensibility with feminism, and more lately, an avid supporter and performer of old-time string band music. Not surprisingly, Calling Me Home revisits many of these diverse [...]

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Not Fade Away - Reissue Review from Issue #53 Sept-Oct 2004

Roane County Ramblers – Complete Recordings 1928-1929

Long before country music came to be dominated by guitar-picking crooners, the fiddle was king. Throughout the 1930s, radio barn dance programs, among which the Grand Ole Opry quickly rose to prominence, featured numerous string bands and fiddlers, playing hoedowns and a few old-time songs. Show fiddlers such as J.E. Mainer, Arthur Smith, Curly Fox [...]

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Waxed - Record Review from Issue #50 March-April 2004

Perfect Strangers – Self-Titled

As bluegrass music has gained popularity in recent years, a couple of trends have emerged. One is to smooth out many of the rough edges and downplay the “country” aspects of the music, which results in a bunch of bands that sound pretty similar. The other is a conscious effort to re-create the sound (and [...]

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Not Fade Away - Reissue Review from Issue #46 July-Aug 2003

Various Artists – Kentucky Mountain Music: Classic Recordings Of The 1920s & 1930s

Kentucky has long held a special allure for folk song scholars, collectors of hillbilly 78s, revivalists and other aficionados of old-time music. It’s a near-mythical place in the minds of these folks, a place where fact and legend often overlap. It’s a plain fact, however, that Kentucky has long been a wellspring of hillbilly music, [...]

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Waxed - Record Review from Issue #46 July-Aug 2003

Big Medicine – To Old To Be Controlled

Big Medicine is a four-piece old-time string band from around Dur-ham, North Carolina. While many old-time bands focus mainly on dance music, choosing to mine the repertoire of a specific fiddler or region, Big Medicine looks at the music through a wider lens. Too Old To Be Controlled demonstrates their familiarity, and proficiency, with the [...]

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Waxed - Record Review from Issue #45 May-June 2003

Beverly Smith & Carl Jones – Moving Lightly Through This World

A quick survey of recordings by contemporary old-time artists these days might well reveal a strong preference for dance music played by fiddle-driven string bands, with a few vocal numbers thrown in for good measure. This new disc by Beverly Smith & Carl Jones offers a differing perspective — a strong emphasis on vocal numbers, [...]

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Not Fade Away - Reissue Review from Issue #41 Sept-Oct 2002

Fiddlin’ Arthur Smith & His Dixieliners – Self-Titled

Old-time fiddling is the foundation upon which country music was built — at least as far as the Grand Ole Opry is concerned. For the Opry’s first decade, fiddlers and string bands playing hoedowns outnumbered all other types of performers combined. Among these pioneering string band musicians was a young fiddler from Humphreys County, Tennessee, [...]

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Waxed - Record Review from Issue #38 March-April 2002

Lonesome Pines – After Sundown

Lonesome Pines are a bluegrass band made up of veteran musicians currently making waves in St. Louis and the surrounding area. These guys have spent years playing stuff besides bluegrass — blues, country, swing, rockabilly, and Cajun music — in various bands, separately and with each other. In an age where a lot of their [...]

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Not Fade Away - Reissue Review from Issue #35 Sept-Oct 2001

Various Artists – Folks, He Sure Do Pull Some Bow: Vintage Fiddle Music 1927-1935

Although you’d be hard-pressed to find much evidence of it these days, there was a time when the fiddle reigned supreme in all kinds of American vernacular music, among black as well as white musicians. Until the turn of the last century, the repertoires and playing styles of black and white country entertainers overlapped a [...]

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