Author: Kevin Hawkins
Waxed - Record Review from Issue #26 March-April 2000
Dan Janisch – Weeds
Testimonial #1: This record was the first outside project released on the imprint started by Kepi and Roach from punk-popsters Groovie Ghoulies. Testimonial #2: Dusty Wakeman and the Maddog crew provided support for three of the album’s eleven tracks. Testimonial #3: I like it (yes, this would probably be the least significant of the three). [...]
Town and Country - Shorter Artist Feature from Issue #24 Nov-Dec 1999
Map Of Wyoming – Beating the retreat
A round trip, indeed — not to mention rather long and a little bit strange. Dale Duncan — self-proclaimed “art director” of the collective known as Map Of Wyoming, whose self-released debut CD is titled Round Trip — truly has come full circle. Point A, circa 1984, was when Duncan, after a series of bands [...]
Waxed - Record Review from Issue #23 Sept-Oct 1999
Mark Lanegan – I’ll Take Care Of You
Listening to Mark Lanegan on a bright, shimmering Saturday afternoon just seems so…wrong. Better to wait until you’re half shot-out at 2 a.m. the following Sunday morning and let the guy’s somber aura just wash over you. But since my days don’t regularly bleed into mornings, and I live in California, bright and sunny it [...]
Town and Country - Shorter Artist Feature from Issue #22 July-Aug 1999
Forever Goldrush – Music in them thar hills
Back in 1848, Amador County was the place to be; something to do with a coveted metallic element called gold. Word got out, of course, and 80,000 folk bum-rushed this sleepy patch of land nestled in the western foothills of the Sierra Nevada mountains. It was the original wild, wild West. Today, Cabernet and Zinfindel [...]
Waxed - Record Review from Issue #22 July-Aug 1999
No Electric Guitars – Self-Titled
My wife’s loathing and crummy winter weather notwithstanding, I miss Philadelphia. There’s a number of reasons why, but the five songwriters represented on this collective project attest to the musical motives. All of these guys front electric bands, but on this disc, each takes an acoustic crack at two original compositions and one cover. And [...]
Miked - Live Reviews from Issue #21 May-June 1999
Tom Petty & The Heartbreakers – Fillmore (San Francisco, CA)
It was an early Sunday morning in late February. Tickets for Tom Petty’s seven-night residency at San Francisco’s legendary Fillmore were ready to go on sale, and a friend and I were queued up outside a local Ticketmaster outlet. Fourth in line. We just had to score tickets. At least, I knew I did. I [...]
Town and Country - Shorter Artist Feature from Issue #20 March-April 1999
Martin’s Folly – Do re mi, blah blah blah
Chris Gray, the prolific co-leader of Martin’s Folly, would like to see the music industry return to a simpler, more artistically creative period of musicmaking that allowed artists to release a album of newly recorded material every year. In fact, that would be just a starting point. “I’d like to do two a year, or [...]
Waxed - Record Review from Issue #20 March-April 1999
Black Crowes – By Your Side
It’s easy to imagine that while the neighborhood kids were playing cops and robbers or cowboys and Indians or any other such sociologically or politically incorrect children’s games, Chris and Rich Robinson had Faces and Stones record jackets littered randomly on the bedroom floor while they were posing and lip-syncing to “Ooh La La” or [...]
Waxed - Record Review from Issue #18 Nov-Dec 1998
Mysteries Of Life – Come Clean
“Nothing here is unfamiliar, but everything is remarkably new.” Or so reads the accompanying label-penned hype for the newest disc from Midwestern popsters Mysteries Of Life. Indeed: About six months ago, RCA sent out advance CDs of what was then intended to be Come Clean. But that version never made it to the stores. Hence [...]
Waxed - Record Review from Issue #17 Sept-Oct 1998
Josh Rouse – Dressed Up Like Nebraska
While not necessarily triggering any specific imagery, the album title says it all. Though I’m still unsure of exactly what the intended conveyance is, it’s nonetheless one hell of a metaphor. And one hell of a lyric. And it’s just one example of the allusive wordplay Josh Rouse employs throughout his very impressive out-of-nowhere debut. [...]
