Author: Linda Laban
Miked - Live Reviews from Issue #74 March-April 2008
Lori McKenna / Jake Armerding / Mark Erelli – Club Passim (Cambridge, MA)
The opening performance of Lori McKenna’s five-night residency at Club Passim differed slightly from the shows that followed in that she shared the bill on this night with two of her fellow Massachusetts artists — bluegrass singer and multi-instrumentalist Jake Armerding, and singer-songwriter/guitarist Mark Erelli (currently member of McKenna’s band). The three artists took turns [...]
Waxed - Record Review from Issue #54 Nov-Dec 2004
Jake Brennan & The Confidence Men – Love And Bombs
Being the son of a Boston roots-rock legend hasn’t done Jake Brennan, son of Dennis, any harm. For one thing, genetics aside, the singer and songwriter seems to have a good handle on his dad’s record collection, which possibly includes many original Sun Sessions discs and a good number of Elvis Costello records, two things [...]
Waxed - Record Review from Issue #48 Nov-Dec 2003
Kaz Murphy – Devil In The Barn
Kaz Murphy is a storyteller. The stories-as-songs of his second solo disc are lyrical tales set to muted blues, dusky western swing, choogling country and folky roots rock. This Philly native, who honed his Americana skills in Seattle but now lives in Los Angeles, delivers an even-toned set, his dry emphatic voice, with its slight [...]
Waxed - Record Review from Issue #47 Sept-Oct 2003
Kris Delmhorst – Songs For A Hurricane
Brooklyn native and Cambridge, Massachusetts, habitué Kris Delmhorst heads south for influences on her third album. To shape this musical journey, Delmhorst follows the wake and wane of a hurricane, tracing the rising tempest, its ensuing calm, and the deluge of the aftermath as a format for these country, bluegrass, gospel and western swing influenced [...]
Waxed - Record Review from Issue #46 July-Aug 2003
Eliza Carthy – Anglicana
With Anglicana, young English folk artist Eliza Carthy waves the flag for old Blighty and coins a term to answer the popular ideal of Americana. Rather than a separate movement, or any movement at all really, Carthy presents the now well-recognized roots beneath American folk and country music. Unlike Americana, which incorporates various influences including [...]
Waxed - Record Review from Issue #46 July-Aug 2003
Brooks Williams – Nectar
Brooks Williams follows the shimmering folk blues of 2001’s Skiffle Bop with a richer-sounding, tightly constructed, often pop-inflected set that includes several intriguing covers. Williams kicks off with ’80s Scottish popsters Aztec Camera’s “Birth Of The True”. Later he reprises John Martyn’s classic “May You Never”, blues singer and pianist Memphis Slim’s “Mother Earth”, and [...]
Miked - Live Reviews from Issue #44 March-April 2003
Peter Wolf – Paradise (Boston, MA)
It’s a lurve thing. That much can be said with certainty of Peter Wolf’s solo career, which has found the ex-J. Geils Band singer digging deep into his own roots, and those of rock ‘n’ roll, with a nurturing passion. Wolf’s second recent appearance in Boston (where he once studied at the Museum School of [...]
Town and Country - Shorter Artist Feature from Issue #43 Jan-Feb 2003
Todd Thibaud – Patiently persevering
As much as Burlington, Vermont, native Todd Thibaud has learned about creating fine rootsy pop, he also understands the value of just getting on with life regardless of its uncontrollable vagaries. Thibaud moved to Boston in 1987, ostensibly to gain a job in advertising but with an eye on the Hub’s bustling music scene. Interim [...]
Waxed - Record Review from Issue #43 Jan-Feb 2003
Lonesome Brothers – Pony Tales
The Lonesome Brothers’ musical roots lie in the initial era of rock ‘n’ roll rebellion, the 1950s, and in the seminal alternative culture of the ’60s. Pony Tales, the fourth release from the Massachusetts trio, has shades of Bob Dylan and Neil Young, and is deeply colored by the Bakersfield sound and southern rockabilly, not [...]
Town and Country - Shorter Artist Feature from Issue #42 Nov-Dec 2002
Asylum Street Spankers – Sound off
When a disillusioned punk rocker named Wammo met Guy Forsyth and Christina Marrs at a performer’s night in Llano, Texas, in the mid-’90s, the wonder of chance meetings and beautiful accidents came gloriously into play. “We were bitching about how loud our bands were and decided to start a jug band,” says Wammo, explaining the [...]
