Author: Lisa Sorg
Miked - Live Reviews from Issue #41 Sept-Oct 2002
Blazers – Gallista Gallery (San Antonio, TX)
“You don’t have to stand in the doorway — there’s no earthquake,” quipped Blazers guitarist Manuel Gonzalez to two wallflowers who had crammed themselves in a jamb. Not an earthquake, but certainly a post-flood heat wave, as the warehouse doors were thrown open and the air-conditioning was on the blink at the homey Gallista Gallery, [...]
Miked - Live Reviews from Issue #36 Nov-Dec 2001
Wilco – Stubb’s (Austin, TX)
When a Reprise label source was quoted in Rolling Stone as saying Wilco’s new album, Yankee Foxtrot Hotel, was “the side of the road, instead of the middle of the road,” one could imagine Jeff Tweedy thinking, “let us go and stand awhile, we wanna be alone.” Yet on this unseasonably cool and misty Texas [...]
Town and Country - Shorter Artist Feature from Issue #32 March-April 2001
Jason Wilber – Truth in fiction
Woody Guthrie once said you can’t write a good song about something you’ve not directly experienced. But while Jason Wilber is neither a conjoined twin nor an ephedrine-addled trucker, he puts us in the freak show, in the fast lane, in the boat by the bank with the trolling motor running. Wilber has played guitar [...]
The Long Way Around - Feature from Issue #28 July-Aug 2000
Tim O’Brien – Time After Time
Tim O’Brien compares his flare for blurring the lines between new and old music to, well, vegetables. Like a musical chef, O’Brien pinches from one genre and drops it in another, creating a succulent dish of traditional and modern forms. “It’s the same effort of trying to make old and new music stand beside each [...]
Screen Door - Last Page Essay from Issue #27 May-June 2000
Echo All Over the World
When Richard Martin and Meagan Hennessey talk about releasing records from the ’90s, they mean the 1890s. The two co-owners of Archeophone, a Bloomington, Indiana, label, are spending their savings reissuing records originally released on cylinders, as well as early 20th-century material that first appeared on 78s. But their venture isn’t a nostalgia trip; Archeophone’s [...]
Miked - Live Reviews from Issue #27 May-June 2000
Esquires – Cellar Lounge (Bloomington, IN)
“Can I get a page number?!” bellowed David Rawlings with all the sweaty fervor of a Pentecostal preacher at a tent revival. “128!” barked a man from the bar. Rawlings obediently opened the Bob Dylan songbook, thumbed to that page, placed the hefty tome on the music stand and lay a small chain in the [...]
Town and Country - Shorter Artist Feature from Issue #19 Jan-Feb 1999
Tom Roznowski – Back to the front porch
In a chocolate fedora, blue pinstriped suit and black spit-shined shoes, Tom Roznowski looks like he just stepped out of a Humphrey Bogart movie. “My dad used to say I was born a half-century early,” the forty-ish Roznowski says, tipping the brim of his hat over his eyes. His debut, A Well-Traveled Porch, due out [...]
Miked - Live Reviews from Issue #15 May-June 1998
Ray Price – Little Nashville Opry (Nashville, IN)
Former Columbia Records chief Don Law rejected Ray Price 20 times before finally signing him in 1951. Nearly a half-century later, the country crooner had no problem hooking the 500 folks at the Little Nashville Opry and reeling them in one-by-one. Unveiling an 11-piece band, which included pedal steel, piano and a violin quartet, Price [...]
Miked - Live Reviews from Issue #12 Nov-Dec 1997
Loretta Lynn – Little Nashville Opry (Nashville, IN)
Perhaps it was the intoxicating effects of the laughing gas, or maybe the tour bus has carbon monoxide buildup, but Loretta Lynn seemed punchy, even recklessly zany at her second of two sold-out shows at the Little Nashville Opry. “My tooth broke off today and I put it in a box of Tic-Tacs until I [...]
Town and Country - Shorter Artist Feature from Issue #10 July-Aug 1997
Songs: Ohia – Dateline: Pluto
When Songs: Ohia performs live, it feels a lot like church. On a four-dog night last February, the front half of the congregation flocked to the Second Story stage front as if to watch a snake-handler and await a healing. But instead of wrestling serpents and spouting sermons, vocalist Jason Molina tenderly plucked a tenor [...]
