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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Lloyd Sachs

Live Reviews from web archive April 27, 2009

Flatlanders

It may be time for the Flatlanders to give Rob Gjersoe a bolo and make his membership in the group official. In the early going at Chicago’s Old Town School Of Folk Music, before a characteristically sedate crowd, the band sounded a bit tired. When a tune as catchy as “Julia” doesn’t click, you know [...]

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Record Review from web archive April 9, 2009

Sara Watkins

Words like “preternatural” probably shouldn’t be used in reviewing a record, especially one as wonderfully natural sounding as this one. But the more I listen to Sara Watkins’ self-titled album, with its gossamer vocals and heavenly instrumentation, the more the “p” word asserts itself. The music seems neither of this time nor of the past, [...]

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Record Review from web archive March 26, 2009

Sarah Borges & the Broken Singles

With her third album, Boston bar-band chanteuse Sarah Borges sounds like a work in progress. There’s nothing wrong with that: In gravitating from the frisky roots and country of her debut to an eclectic, guitar-driven pop-rock sound that sometimes recalls fellow Bostonian Jen Trynin, she has been honing her artistic voice the way all young [...]

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Column from web archive February 18, 2009

Joe Grushecky’s still getting out alive

You don’t hear much talk about working-class rock these days. Occasionally, the genre asserts itself, as with the Drive-By Truckers. But of the old standard-bearers, Bob Seger has long since faded, John Mellencamp has traded in his “Small Town” persona for wordly blues and protest songs (John Edwards’ use of “Small Town” as a campaign [...]

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Record Review from web archive February 13, 2009

Matt Turner with Peg & Bill Carrothers

Nearly 150 years before Bruce Springsteen helped provide the musical backdrop for Barack Obama’s election and inauguration, Stephen Foster’s songs helped provide the backdrop for Abraham Lincoln’s rise to power. Will the Boss’ “Working On A Dream” be heard 150 years from now, the way Foster’s “Beautiful Dreamer” still is today? Listening to The Voices [...]

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Column from web archive January 14, 2009

To Grammy or not to Grammy?

As a reader of these pages, you may be approaching the Grammy Awards, to be held February 9, with about the same enthusiasm that you’re approaching the next Osmond family reunion.There will be a few lively moments, at least one goofy singer summit, and maybe even a head butt (there must be a way to [...]

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Column from web archive December 31, 2008

Like a ship out in the night…

In the days and weeks following 9/11, pronouncements over how our lives had been permanently altered flowed upstream and down. Irony was declared dead (sayonara David Letterman). Sensitivity had its i’s double-dotted, leading Clear Channel Communications to order its more than 1,000 radio outlets not to play dozens of songs it deemed tasteless in this [...]

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Column from web archive December 17, 2008

Playing Chess, on the big screen

One of the best things about music biopics is the way they send you back to the songs. Movies such as Ray, Round About Midnight, The Doors, Great Balls Of Fire, and even that cheesy TV movie about the Beach Boys may come up short as art, but they motivate us to dive back into [...]

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Record Review from web archive December 13, 2008

Jason Collett

Is it the Canadian in him that allows Jason Collett to slip into his scruffy, post-hipster persona so unassumingly? Whatever the factor, it would be a mistake to take this Toronto rocker lightly. For all its tossed-off charm, Here’s To Being Here is a work of real poetic depth and luminous emotion. With its sly [...]

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Column from web archive December 3, 2008

Chuck Bernstein: Rhythms beyond borders

One of the great things about the blues is its refusal to have its origins nailed down. It’s easy enough to identify the Mississippi Delta as a spawning ground. But as Joe the Ethnomusicologist can attest, it’s difficult to say definitively what the blues did or didn’t take from Africa – or what parts of [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]

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