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Author: Mike Usinger

Record Review from web archive February 9, 2009

Odds

Once upon a time – back when Rivers Cuomo was just another aspiring riot nerrrd, Bill Clinton was honking the sax on the Arsenio Hall Show, and the world hadn’t gone to hell in a Dirty ’30s-vintage handcart – the Odds were one of Canada’s best bands. From the early ’90s to 1999, if the [...]

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Record Review from web archive December 15, 2008

Okkervil River

As majestic as the music is on The Stand Ins, Okkervil River leader Will Sheff’s great talent is that he’s one hell of a wordsmith. On what’s being billed as the official sequel to The Stage Names, Okkervil River’s 2007 breakthrough, the songs once again unfold like highly detailed short stories, populated this time with [...]

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Record Review from web archive November 28, 2008

Rodney DeCroo

Technically speaking, Vancouver’s Rodney DeCroo is a solo artist, but the strength of Mockingbird Bible is the team he’s assembled around him. Apart from Be Good Tanyas chanteuse Samantha Parton, most of his backing players aren’t exactly household names in America or, for that matter, in most of their native Canada. On the Great White [...]

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Waxed - Record Review from Issue #75 May-June 2008

Firewater – The Golden Hour

With the mess in Iraq not going away any time soon, and the economy in the crapper, who can blame Tod A for wanting to get the hell out of America? Actually, make that past tense; as much as this album’s Bush-bashing kickoff track — the jungle-swing gem “Borneo” — finds the singer announcing “I’m [...]

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Waxed - Record Review from Issue #75 May-June 2008

Hayden – In Field & Town

If you’re one of those people convinced that, with the exceptions of Jim Carrey and Mike Myers, Canadians aren’t much fun, it’s understandable. Where else but the land of block heaters and hockey-mulleted hosers would an unapologetic introvert such as Hayden be something of a star? Over the course of a twelve-year career, the man [...]

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Waxed - Record Review from Issue #75 May-June 2008

Ida – Lovers Prayers

In hindsight, 1992 wasn’t the most opportune time to launch a low-key alt-folk combo like Ida. While the rest of the pop world was loud and grungy, the NYC–based group sounded, unfashionably, like 3 a.m. in the Bible Belt. Based on Lovers Prayers, the group’s seventh full-length, not much has changed since then. Those on [...]

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Waxed - Record Review from Issue #74 March-April 2008

Waco Brothers – Waco Express: Live & Kickin’ At Schuba’s Tavern

If you subscribe to the dubious theory that most white folks should be banned from rapping, dabbling in the blues, or forming perma-peppy ska bands, it might follow that Brits shouldn’t be tackling Americana. When you come from a country that knows nothing of lost highways or white-trash trailer parks, what can you possibly add [...]

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Waxed - Record Review from Issue #73 Jan-Feb 2008

Marah – Angels Of Destruction

Having endured enough Bruce Springsteen comparisons to make the Hold Steady feel sorry for them, Marah makes a balls-out effort to shake things up on their sixth full-length release. The good news for those who dream of being buried in Asbury Park is that these Brooklyn-via-Philadelphia dudes haven’t forgotten what got them here in the [...]

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The Long Way Around - Feature from Issue #72 Nov-Dec 2007

The Sadies – Tales from the cryptic

Probably because he knows it’s true, Dallas Good doesn’t get offended at the suggestion that he’s a slippery character. In fact, the lanky singer-guitarist and co-founder of Toronto genre-benders the Sadies will happily acknowledge he has a habit of giving deliberately cryptic answers to seemingly simple questions. It’s this quirk that sets him apart from [...]

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Waxed - Record Review from Issue #72 Nov-Dec 2007

Scotland Yard Gospel Choir – Self-Titled

Forget the land of the Loch Ness Monster, this choir (which is actually more of a loose, indie-rock-style collective) calls Chicago home. Singer-guitarist-founder Elia isn’t Scottish, he’s Welsh, and there’s nothing terribly choral about his sonic creations. None of that will matter after the first spin of this sometimes stunning, always solid debut disc. With [...]

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