Author: Neal Weiss
The Long Way Around - Feature from Issue #5 Sept-Oct 1996
Greg Leisz – By Products, When a producer isn’t exactly a producer
Editor’s note: A few months back, I made my first visit to New York’s modest, humble, yet quickly-becoming-famous Lakeside Lounge, a bar co-owned by Eric Ambel, who’s profiled elsewhere in this package of articles about producers. Ambel was gone that day, off in Chicago to play a gig with the Yayhoos at Schubas, but over [...]
The Long Way Around - Feature from Issue #54 Nov-Dec 2004
John Fogerty – I have no problem with ‘Wooly Bully’ and ‘Blowin’ In The Wind’ sitting right next to each other
There was a time, oh, three-plus decades ago, when John Fogerty was making his mark like few rock artists could ever imagine. With Creedence Clearwater Revival, especially over a startlingly successful two-year burst beginning that saw the release of three classic albums in 1969, Fogerty meshed the sensibilities of ’50s and ’60s rock with country, [...]
Miked - Live Reviews from Issue #53 Sept-Oct 2004
Ray Charles Funeral – Willie Nelson / Stevie Wonder / B.B. King / Glen Campbell – First AME Church (Los Angeles, CA)
Even on the most prosaic of occasions, hearing a decent version of “Georgia On My Mind” can be an evocative experience. It’s just one of those perfect songs, so perfect, in fact, that it really takes little more than the singing of its very first word — Georgia — to prompt shivers down the spine. [...]
Miked - Live Reviews from Issue #53 Sept-Oct 2004
Gram Parsons Tribute – Universal Amphitheatre (Universal City, CA)
Why a Gram Parsons tribute concert now? Good question. There was no real specific reason for such a lofty event — no anniversary of his birth or notorious death to wrap a big to-do around, and it could hardly be the result of a deprivation of tributes to, arguably, the inventor of country-rock. Not only [...]
Waxed - Record Review from Issue #52 July-Aug 2004
Jay Bennett – Bigger Than Blue
Though he’s contributed greatly to several standout albums in recent years, including one considered by many as the best of 2002 (Wilco’s Yankee Hotel Foxtrot), it’s still hard to think of Jay Bennett and not have that moment flash before you. You know the one, in the Wilco film documentary, I Am Trying To Break [...]
Waxed - Record Review from Issue #52 July-Aug 2004
Creekdippers – Political Manifest
When Mark Olson exiled himself from the Jayhawks a decade ago, curious ears were eager to hear what he would come up with off the beaten path in Joshua Tree, California, with his wife, Victoria Williams. The self-titled, self-released 1997 debut, billed as the Original Harmony Ridge Creek Dippers, answered the question with laid-back, home-fi [...]
Waxed - Record Review from Issue #52 July-Aug 2004
Fastball – Keep Your Wig On
Ah, yes…Fastball…you remember their sadly typical rise-and-fall story, right? Out-of-nowhere pop-rock hitmakers with the wondrous “The Way”, from the 1998 album, All The Pain Money Can Buy. The epitome of lightning caught. Then the follow-up two years later, The Harsh Light Of Day, that was the proverbial sound of a tree falling in the forest [...]
Waxed - Record Review from Issue #51 May-June 2004
Honeydogs – 10,000 Years
Rock albums — even some of the better ones — often come across as a semi-arbitrary collection of songs, so big props to the Honeydogs’ Adam Levy for being ambitious with his art. Already the owner of a very worthy canon of literate Jayhawks-meets-Beatles pop songs, Levy takes his style and vision to the next [...]
Waxed - Record Review from Issue #50 March-April 2004
Gerald Collier – Breakin’ Down
Long overdue is Breakin’ Down, Gerald Collier’s first solo effort since his 1999 EP Low Tar Taste and his first full-length since his self-titled major-label rise-and-fall a year earlier. But Collier hardly misses a beat. Stark and muscular, Breakin’ Down mines the same downtrodden country-rock as its immediate predecessor, if with better execution and the [...]
Waxed - Record Review from Issue #48 Nov-Dec 2003
Matthew Ryan – Regret Over The Wires
Matthew Ryan remains one restless soul. His fourth widely-distributed album (Ryan also has two limited-edition, website-only releases) finds the singer-songwriter overwhelmed by characters out of step with their lovers, themselves, and/or the world around them. It’s nothing new. The Nashville artist established such an MO at the onset, when he wrapped his 40-grit voice around [...]
