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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Paige La Grone Babcock

Not Fade Away - Reissue Review from Issue #47 Sept-Oct 2003

Pearls Before Swine – Jewels Were The Stars

Primarily a vehicle for psych-folk cult hero Tom Rapp, Pearls Before Swine enjoyed moderate counterculture success in the late ’60s and ’70s until Rapp repudiated the music business at decade’s end and began practice as a civil rights attorney. Often cited a primary influence of Galaxie 500 alumni Damon & Naomi and of Japanese acid [...]

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Town and Country - Shorter Artist Feature from Issue #42 Nov-Dec 2002

Hackensaw Boys – Simple is as simple does

The Hackensaw Boys have the Blue Ridge Mountains in their DNA. An acoustic aggregation — upright bass, fiddles, banjos, guitars, harmonica, charismo, dobro, mandolin — the Hackensaws make primitive American music, born of specific place. Their songs are steeped in generations of melody and shadings of old-time mountain and string bands, from their original uptempo [...]

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Waxed - Record Review from Issue #39 May-June 2002

Rosie Thomas – When We Were Small

It’s the catch in the voice; the catch that’s not quite a hiccup, not a cry, but an achingly lovely double-clutch, a double negative making odd of even, that makes Rosie Thomas’ unguarded vocals so compelling. It is precisely this quality that made the unknown singer stand out on Sub Pop’s 2000 tribute to Bruce [...]

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Waxed - Record Review from Issue #38 March-April 2002

Precious Bryant – Fool Me Good

Raised in Georgia’s lower Chattahoochee Valley, Precious Bryant hails from, and is steeped in, similar tradition to blues foremother Gertrude “Ma” Rainey. Akin in both spirit and execution to Jessie Mae Hemphill, Bryant is a genuine article of truthful expression, coupled with artful chops. As with many blues and R&B greats, Bryant’s first performing experience [...]

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Waxed - Record Review from Issue #38 March-April 2002

Pine Valley Cosmonauts – The Executioner’s Last Songs

As with their tributes to Bob Wills and Johnny Cash, The Executioner’s Last Songs finds the Pine Valley Cosmonauts banging out some tunes to accompany a rotating stable of indie/alt-country guest vocalists. Rather than paying homage to a single artist this time, Jon Langford and crew take on traditional and newly penned murder ballads and [...]

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Waxed - Record Review from Issue #37 Jan-Feb 2002

Michael Kelsh – Well Of Mercy

Nashville based singer-songwriter Michael Kelsh , a founding member of Southern Culture On The Skids, makes gentle folk songs that need to be here now on Well Of Mercy, his third solo release. Kelsh’s songs function as dreamy folkified hymnody in the parlance of common language, uncommonly good guitar work, roughly whispery vocals, and the [...]

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The Long Way Around - Feature from Issue #36 Nov-Dec 2001

Beachwood Sparks – Through the trees

Neal Casal is at the wheel of a fifteen-passenger government baby blue van. It is a late grey morning just before autumn’s official reign begins. The dog days of summer appear to have fled early. Gear has just been loaded out of a motel room in Lebanon, Tennessee, and stowed into the attached trailer. The [...]

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Town and Country - Shorter Artist Feature from Issue #35 Sept-Oct 2001

Minton Sparks – Speaking in mother tongues

“I’m still waitin’ to figure out what it is I’m gonna be.” Sitting across the table from her at a Sylvan Park neighborhood café in Nashville, performance poet Minton Sparks embodies everything she sounds like on recording and by phone. At once lively and deeply present, her eyes flash, behind which are lightning bugs of [...]

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Waxed - Record Review from Issue #33 May-June 2001

John Hermann – Smiling Assassin

For his solo debut, Widespread Panic’s John “JoJo” Hermann hops up a guitar, some “cowboy chords” and a backing band that includes the North Mississippi All Stars’ Dickinson brothers. Less greasy, funky, and lighter (in more ways than just skin color) than most of Oxford, Mississippi’s Fat Possum roster, Hermann’s offering makes sense in much [...]

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Waxed - Record Review from Issue #33 May-June 2001

Red House Painters – Old Ramon

Taking its name from a Spanish children’s book, Old Ramon emerges after laying away for nearly four years since San Francisco’s Red House Painters put the ten-song collection to tape. While the late-’90s major-label merger kept Old Ramon tucked away, principal Painter Mark Kozelek remained busy, issuing a pair of solo records (one of which [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]

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