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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Paul E. Comeau

Waxed - Record Review from Issue #60 Nov-Dec 2005

Johnny Bush – Honky Tonic

Johnny Bush’s slowly rising star was shot down in the ’70s by spastic dysphonia, a rare neurological condition that impairs vocal chords. His voice has more recently been reconditioned to a remarkably robust state. Honky Tonic would conceivably thrust him into the upper echelons of country singers if the market for elderly honky-tonk statesmen weren’t [...]

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Waxed - Record Review from Issue #59 Sept-Oct 2005

Kennedys – Half A Million Miles

The title of Pete & Maura Kennedy’s latest album refers to the approximate number of miles the couple has traveled in the last ten years. Having crisscrossed the country to perform a thousand gigs or so doesn’t guarantee an exalted level of artistic expression, but it does increase the odds. Half A Million Miles, their [...]

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Waxed - Record Review from Issue #59 Sept-Oct 2005

Jesse McReynolds & Charles Whitstein – A Tribute To Brother Duets

Jim & Jesse McReynolds carried the torch for traditional brother duet singing for more than 50 years, until Jim’s death in December 2002. Jesse has found a offer secular gospel gems reflective of a mindful philosophy. “Namaste” is based on a greeting by a charismatic sushi bar owner in New York, while “Here And Now” [...]

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Not Fade Away - Reissue Review from Issue #59 Sept-Oct 2005

John Lilly & Ralph Blizard – Self-titled

John Lilly’s Broken Moon album from 2000 quickly turned the West Virginia singer into the discovery of the year for some traditional and classic country music fans. A subsequent album confirmed his status in the upper echelons of old-time country performers. As it turned out, Lilly had 25 years of experience behind him. After recording [...]

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Not Fade Away - Reissue Review from Issue #58 July-Aug 2005

Beau Brummels – Magic Hollow

When the Beau Brummels are mentioned in music history books, it’s usually in deference to FM DJ Tom Donohue, who signed them to his Autumn label, or to Sly Stewart (later known as Sly Stone), who produced them. In spite of having had only a couple of big hits, the very fact that they were [...]

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Waxed - Record Review from Issue #58 July-Aug 2005

Various Artists – Greetings From Area Code 207, Volume 5

Common wisdom dictates that survival in the music business generally requires that an artist (or even a label) starting in a small-town must inevitably move to a major urban center. But some thriving small-market music scenes scattered throughout the continent put this notion to the test. One such place is Portland, Maine. In 2000, Charlie [...]

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Not Fade Away - Reissue Review from Issue #55 Jan-Feb 2005

Thomas Fraser – You And My Old Guitar

Exceptional talent springs out of the most unlikely places. Thomas Fraser, one of the most fascinating country music discoveries in years, was a lobster fisherman and crofter from Burra Isle, Shetland, which is very remote relative to Europe, let alone to the United States. Fraser, who died in 1978 after an accident at sea, was [...]

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Waxed - Record Review from Issue #55 Jan-Feb 2005

Polecat Creek – Leaving Eden

Polecat Creek features Laurelyn Dossett and Kari Sickenberger, two singer-songwriters from North Carolina who have pooled their talents, ostensibly because their wonderful harmonies bring out more in their songs than each of their own individual voices could. Although the women straddle the fence between bluegrass and old-time (leaning more toward the latter), there are also [...]

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Waxed - Record Review from Issue #49 Jan-Feb 2004

Red Stick Ramblers – Bring it On Down

Except for a few notable exceptions — the Hackberry Ramblers, Chuck Guillory and Harry Choates being a few obvious examples — artists working the Cajun circuit have seldom been models of eclecticism. The Red Stick Ramblers, whose members include Joel Savoy, the son of Marc and Anne Savoy, can be added to this select group. [...]

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Waxed - Record Review from Issue #45 May-June 2003

Lost John Casner – Don’t Make Me Laugh (While I’m Drinkin’)

The last recording Lost John Casner released under his own name was the cassette he put out with his Austin Roadhouse Band in 1987. Casner later became a founding member of the Little Whiskey Band, but he has become known just as much for recording and making available a live performance by the late and [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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