Author: Scott Brodeur
Record Review from web archive April 24, 2009
Eilen Jewell
Eilen Jewell can brood with the best of them. As she pushes forth her way-down-but-not-quite-out tunes on Sea Of Tears, her third album, you can just about feel the scar tissue that has built up around her heart. You can almost see the fog rolling in around her. Jewell evokes the same knowingly dolorous spirit [...]
Live Reviews from web archive March 2, 2009
Van Morrison
Van Morrison relishes being a musical enigma. There is no other way to explain Saturday night’s once-in-a-lifetime concert at the FailedBank Theater at Madison Square Garden in New York City. The show was billed as one of a handful where Morrison would perform, in its entirety, his brilliantly abstract 1968 masterpiece Astral Weeks – an [...]
Record Review from web archive January 14, 2009
Winterpills
The two-part harmonies of Philip Price and Flora Reed are gentle and hushed. On Winterpills albums, you get the sense the duo is singing in a cramped apartment, trying to keep the volume down so they don’t agitate cranky neighbors or a roommate nursing a migraine. At the same time, though, those muted vocals are [...]
Waxed - Record Review from Issue #75 May-June 2008
She & Him – Volume One
Zooey Deschanel and M. Ward are both talented artists with reputations for integrity, good taste and choosing their projects carefully. This duo record had the potential to be either dazzling or a muddled mess. While Deschanel’s a cappella bathroom duet on “Baby, It’s Cold Outside” in the film Elf with Will Ferrell was downright charming, [...]
Waxed - Record Review from Issue #75 May-June 2008
Kris Delmhorst – Shotgun Singer
When you strip your canvas way down, each splash of color you manage to work in has a dramatic and weighted impact. Kris Delmhorst beautifully flaunts that minimalist artistic approach on her latest release. Starting with the songs themselves, Delmhorst pares back her chord changes, often building around simple broken chords on a nylon-string guitar [...]
Waxed - Record Review from Issue #74 March-April 2008
Bob Mould – District Line
It must be tough to release new material when you are a genuine, rarified post-punk icon. Bob Mould surely knows that pressure. Whenever the songwriter re-emerges, longtime fans hold out hope that Mould will somehow retrace paths similar to his raucously jagged jaunts from Husker Du’s mid-’80s heyday. Fans of Mould’s more popcore-oriented leanings hope [...]
Waxed - Record Review from Issue #73 Jan-Feb 2008
Reverend Organdrum – H-Fi Stereo
For those who have witnessed the spectacular fire of Reverend Horton Heat, it is tough to imagine the reverend/frontman Jim Heath taking a back seat — or even just scooting his psychobilly butt over to the passenger side. But that’s what happens with Heath’s new side project, Reverend Organdrum. On this debut, the mostly instrumental [...]
Waxed - Record Review from Issue #70 July-August 2007
Jeff Finlin – Angels In Disguise
JEFF Finlin’s narrative songs are soaking in imagery about traveling, leaving, living in the moment and regret. They are colored with drive-through biscuits, carousel horses, skull-and-crossbones tattoos, skimming stones and coffee-colored skylines. In “Nothing’s Enough”, Finlin sings, “We had it all, we wanted more/Yes that was it, in all respects/Some kind of perfect love/In the [...]
Waxed - Record Review from Issue #70 July-August 2007
Haunt – As Blue as Your Dying Eyes
Longtime followers of Matthew Hebert and his stately roots rock band the Ware River Club should dig the results of his new ensemble’s debut disc. The collection of talented musicians the Northampton, Massachusetts, singer-songwriter has pulled together showcases Hebert’s story-songs with a subtle new luster, adding nuance without drawing too much attention from the spirited [...]
Town and Country - Shorter Artist Feature from Issue #70 July-August 2007
Eilen Jewell – Something in rambling
The whole notion of rambling is a lost American art. Writing songs and singing about it in a believable, meaningful way — well, that, too has pretty much gone the way of the brakeman. But 28-year-old singer-songwriter Eilen (pronounced EE-lynn) Jewell is showing she can wander with the best of them, and write riveting song-stories [...]
