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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Author: Silas House

Live Reviews from web archive December 15, 2008

Ben Sollee

Every once in awhile you’re at a show and there’s a feeling in the air that goes beyond the sensations brought on by the whiskey you’ve been kicking back as you wait ages for the acts to finally come onstage. It’s a feeling like change, but it goes beyond that. Hope is the best word [...]

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The Long Way Around - Feature from Issue #75 May-June 2008

Dan Tyminski – I’m with the band

Quotation: “I try to not be too conscious of creating music. I just try to let it be. That’s what makes great music, I think.” –Dan Tyminski Dan Tyminski doesn’t do what’s expected of him. After the amazing success of “I Am A Man Of Constant Sorrow”, on which he sang lead vocal, and the [...]

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Miked - Live Reviews from Issue #72 Nov-Dec 2007

Brandi Carlile / A Fine Frenzy – City Hall (Nashville, TN)

Most everyone in the audience at City Hall had two things in common: They arrived not knowing much about A Fine Frenzy but left as complete converts, and they entered really loving Brandi Carlile but left pretty much worshiping her. It seemed most of the crowd was prepared to patiently tolerate A Fine Frenzy, which [...]

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Waxed - Record Review from Issue #70 July-August 2007

Various Artists – Just One More: A Musical Tribute To Larry Brown

Larry Brown, the renowned southern writer who passed away in November 2004, loved music. Unlike many writers of his stature, he never forgot where he was from and even celebrated that place in his novels, short stories, and memoirs. Brown is remembered as one of the masters at capturing a sense of place, and one [...]

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The Long Way Around - Feature from Issue #68 Mar-Apr 2007

Carlene Carter – Back in the fold

Carlene Carter starts dancing as soon as she comes onstage. The crowd at the Cannery Ballroom in Nashville surges forward when she appears, pushing at the edge of the wooden stage, and Carter meets every eye, smiling wide, snapping her fingers, moving her hips, bobbing her head in beat to the music of her opening [...]

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Screen Door - Last Page Essay from Issue #66 Nov-Dec 2006

Grandpa, Granny, and Hee Haw

In 1971, CBS executive Fred Silverman made headlines with what became known as his “Rural Purge” when he canceled nine television shows (including The Beverly Hillbillies, Mayberry RFD, and Green Acres) — not because they weren’t successful, but because they skewed to a rural audience, which Silverman apparently deemed undesirable. The bigwig said he was [...]

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Waxed - Record Review from Issue #65 Sep-Oct 2006

Riley Baugus – Long Steel Rail

Although Riley Baugus’ banjo playing and fiddling have been his primary calling card as a musician, his singing is the star on Long Steel Rail. Baugus’ voice could just as well be coming out of a man plowing his garden in 1806 rather than this 40-year-old accomplished picker. Baugus delivers most of these songs solo, [...]

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Waxed - Record Review from Issue #64 July-Aug 2006

Ralph Stanley – A Distant Land To Roam: Songs Of The Carter Family

It’s fitting that Ralph Stanley has created a whole album’s worth of Carter Family covers, given that he was raised just a few mountains over from A.P., Sara and Maybelle’s home in Maces Springs, Virginia. The same deeply moving notes of faith, redemption, sorrow, and every emotion in between are caught in Stanley’s voice on [...]

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The Long Way Around - Feature from Issue #64 July-Aug 2006

Darrell Scott – Dreams so real

These are hard times for dreamers. As Tom says in Tennessee Williams’ The Glass Menagerie, “nowadays the world is lit by lightning.” And it’s hard to be a moony-eyed dreamer when storms are raging, when bombs are falling, when it seems as if the entire world has gone mad. But perhaps these are halcyon days [...]

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Town and Country - Shorter Artist Feature from Issue #61 Jan-Feb 2006

Wayne Scott – The tree the acorn fell from

The road to Crane’s Nest, Kentucky, winds along the course of a rushing creek, flanked on one side by a steep hill and on the other by houses that are decorated in Christmas lights and plastic Nativity scenes. The sky is low and gray here this winter evening. It is a lonely and beautiful place, [...]

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From the Blogs

  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, it's impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]
  • Brittany Holljes on the Origins of Delta Rae and Her Healthy Fleetwood Mac Obsession
    Delta Rae might sound like the down-home name of a backwoods country singer but it’s really just Greek to Brittany Holljes. “I think there are a lot of ‘Delta’ bands out there, too, so we kind of get that ... people get confused,” said Holljes, the whip-smart singer of the North Carolina-based sextet (like Deborah Harry used to say about Blondie, Delta Rae i […]
  • Crowd-sourcing to crowd-pleasing: The rise of Kat Edmonson
    If Kat Edmonson ever becomes a household name, she can put it down not just to her talent as a jazz singer, but to some decidedly modern financing as well. The 29-year-old Texan, an old-school chanteuse with a contemporary lilt, has funded production of her second album via a community workshop and through… […]
  • When to get your ass saved and when to drown
    How does the co-writing song process differ from the alone songwriting process you just wrote about? Co-writing is quite different from writing alone. When I'm working on something alone I have complete freedom. Freedom to experiment, to make mistakes, to try things I'm quite sure won't work and the freedom to reconstruct whatever has come bef […]
  • CD Review - Fiddleworms "See The Light"
    The ambitious new album See The Light, from Alabama quintet Fiddleworms is a cavalcade of styles with literally a parade of guest musicians including the University of North Alabama marching Band. The eleven original tracks are interspersed with snippets of radio sound effects and spoken word segments that flow from jazzy blues to stomping country rock fusio […]

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