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Author: William Michael Smith

Waxed - Record Review from Issue #74 March-April 2008

Bukka Allen – Confidante

Arty, airy and ethereal, Bukka Allen’s first solo record since 1999′s Sweet Valentine is a moody, introspective, highly poetic collection of originals. Like his father Terry, Bukka is a master of dark, brooding melody and lyrics that cut to the ethical quick with surgical elegance, such as “Slip through the hands of an angel/Land on [...]

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Screen Door - Last Page Essay from Issue #73 Jan-Feb 2008

Resurrecting the Record Store Experience

We’ve been bombarded for months — years even — with all the gloom-and-doom that surrounds the music industry in the 21st century. The word has become a ceaseless mantra: CDs are dead. Downloads were a giant asteroid that will demolish the music business as we know it. The iPod has made CDs little more than [...]

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Town and Country - Shorter Artist Feature from Issue #73 Jan-Feb 2008

Macon Greyson – It’s a Name About Ray

Macon Greyson was born in the Wylie Lama’s head in late 1999. “We were finishing the first record, which Ray Wylie Hubbard produced, but I didn’t have a band or anything,” says frontman Buddy Huffman. “I wanted an album I could put a band together and play behind, so I asked Ray what he thought [...]

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Waxed - Record Review from Issue #73 Jan-Feb 2008

Bukka Allen – Confidante

Arty, airy and ethereal, Bukka Allen’s first solo record since 1999′s Sweet Valentine is a moody, introspective, highly poetic collection of originals. Like his father Terry, Bukka is a master of dark, brooding melody and lyrics that cut to the ethical quick with surgical elegance, such as “Slip through the hands of an angel/Land on [...]

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Waxed - Record Review from Issue #72 Nov-Dec 2007

Lucky Tomblin Band – Red Hot From Blue Rock

With stomping takes on Jerry Lee Lewis’ “End Of The Road” and the 1950s Buddy Knox hit “Party Doll”, Red Hot From Blue rock follows in the steps of Lucky Tomblin’s 2006 release In A Honky-Tonk Mood. Tomblin’s all-star Austin assemblage specializes in loving recreations of deep tracks from classic artists, and even on cheeseballs [...]

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Not Fade Away - Reissue Review from Issue #70 July-August 2007

Billy Joe Shaver – Greatest Hits

Like Barry Bonds’ home run record, Billy Joe Shaver’s Greatest Hits should come with an asterisk and fine print, this one explaining that these are more recent recordings of much older original material. The album is packed with beer-joint-quality reprises of “Georgia On A Fast Train”, “Old Chunk Of Coal”, “Honky Tonk Heroes”, “You Asked [...]

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Waxed - Record Review from Issue #70 July-August 2007

Gurf Morlix – Diamonds To Dust

The words roll out in Gurf Morlix’s old soul voice as if from a seer delivering eternal knowledge, a medicine man calling up the Great Spirit or a miracle cure: “Birth to boneyard, boom to bust/Everything falls apart like it must.” On his fourth solo album, Morlix’s themes are living and dying, transience and permanence, [...]

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Waxed - Record Review from Issue #70 July-August 2007

Jimmy Lafave – Cimarron Manifesto

Perhaps the most relevant question asked by Jimmy LaFave on Cimarron Manifesto is: “Whatever happened to Johnny B. Goode?” Except for a couple of tracks, this is LaFave’s quietest, prettiest, most sensitive record — and that’s saying a lot, as LaFave has done a lot of quiet, sensitive and pretty songs. For a guy who [...]

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Waxed - Record Review from Issue #70 July-August 2007

Michael Fracasso – Red Dog Blues

Whether he’s having fun or being deadly serious, on Red Dog Blues Michael Fracasso is the epitome of a wordsmith. Every song clicks lyrically and, funny or serious, the most obvious thing about them is that they all truly mean something to Fracasso; there’s never a feeling that these are half-drunk ideas written on a [...]

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Waxed - Record Review from Issue #69 May-June 2007

Resentments – On My Way To See You

Loaded lineups like this can make for great sounding albums, but that doesn’t necessarily mean they’re tied together well. No matter how good the musicians are, squeezing pop vocalist Bruce Hughes between the grit of Jud Newcomb and Jon Dee Graham makes for some jarring transitions. Add Steve Bruton to the mix, and there are [...]

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