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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Last Page Essay

Screen Door - Last Page Essay from Issue #75 May-June 2008

Screen Door from Issue #75

The last few days in the rush to deadline are always hectic. There’s far too much to do in too little time, and the candle gets burnt at both ends…but, truth be told, that’s also what has always made this work exhilarating, dating way back to my daily-newspaper days. There is a special thrill, watching [...]

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Screen Door - Last Page Essay from Issue #74 March-April 2008

Keeping Anna Lee Company

She may be mythic to some, but Anna Lee Amsden also makes a tasty fried cornbread. She is serving it to hungry music fans in Woodstock, N.Y., one late Saturday night in early September as Levon Helm, her friend of 60-plus years, is gearing to perform just up the stairs. Remove her last name and [...]

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Screen Door - Last Page Essay from Issue #73 Jan-Feb 2008

Resurrecting the Record Store Experience

We’ve been bombarded for months — years even — with all the gloom-and-doom that surrounds the music industry in the 21st century. The word has become a ceaseless mantra: CDs are dead. Downloads were a giant asteroid that will demolish the music business as we know it. The iPod has made CDs little more than [...]

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Screen Door - Last Page Essay from Issue #72 Nov-Dec 2007

Madison Blues

On December 7, 1967, Otis Redding, with the help of guitarist-producer Steve Cropper, finished recording “Dock Of The Bay” at Stax Records in Memphis. From Memphis, Redding and his band, the Bar-Kays, departed for performances in Nashville and Cleveland, and, from there, a headliner show booked at the Factory in Madison, Wisconsin. Redding had just [...]

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Screen Door - Last Page Essay from Issue #71 Sep-Oct 2007

Screen Door from Issue #71

We came upon the remarkable Bruce Turner and his vintage camera at Washington Pass in the North Cascades of Washington state this summer. Others were snapping digital photos of his 1892 London-made Thornton-Pickard camera before rushing back to their cars. Turner was patiently watching the changing sky, quietly pacing the rocky outcropping on which he’d [...]

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Screen Door - Last Page Essay from Issue #70 July-August 2007

Flags of Our Brothers

“After my brother was killed, it was easy for me to think that the world was an awful place,” says singer-songwriter Kristy Kruger. “I needed to know that the world is full of wonderful people, and that’s what I’m finding out.” Kruger, who grew up in Dallas but now resides in Los Angeles, is in [...]

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Screen Door - Last Page Essay from Issue #68 Mar-Apr 2007

Sugar Hill, Record Cellar, and Me

Anecdote #1, as detailed by label founder Barry Poss in the liner notes of the recent box set Sugar Hill Records: A Retrospective: “James McMurtry’s manager was on the line, asking if we’d be interested in working with his client.…It was arranged that I would meet James for dinner prior to an upcoming gig in [...]

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Screen Door - Last Page Essay from Issue #67 Jan-Feb 2007

The Quality of Life

“She would have been a good woman if it had been somebody there to shoot her every minute of her life,” Flannery O’Connor wrote in the short story “A Good Man Is Hard To Find”. The nearness of death brought the story’s grandmother to a moment when she was the person she wanted to be. [...]

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Screen Door - Last Page Essay from Issue #66 Nov-Dec 2006

Grandpa, Granny, and Hee Haw

In 1971, CBS executive Fred Silverman made headlines with what became known as his “Rural Purge” when he canceled nine television shows (including The Beverly Hillbillies, Mayberry RFD, and Green Acres) — not because they weren’t successful, but because they skewed to a rural audience, which Silverman apparently deemed undesirable. The bigwig said he was [...]

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Screen Door - Last Page Essay from Issue #65 Sep-Oct 2006

A Trick of the Light

Until her records were finally reissued on CD this summer, there were essentially only two ways to hear Ronee Blakley’s music: a) hunt down the original LPs, or b) watch the movie Nashville. Which was astonishing, not only because Blakley’s voice — as a vocalist and songwriter — still sounds fresh after 30-odd years, but [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]

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