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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Record Review

Record Review from web archive June 30, 2009

Future Clouds & Radar

If last year’s self-titled debut album of Future Clouds & Radar was immediately accessible in places and bewilderingly opaque in others, this follow-up combines each side of leader Robert Harrison’s brain in every one of its eight songs. The melodies may not be as bright this time – there’s no “You Will Be Loved” or [...]

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Record Review from web archive May 2, 2009

Model Rockets

(Editor’s note: About a year ago, Model Rockets ringleader John Ramberg dropped me a line to let me know that the band was planning a small-scale reissue of this album, which came out in the fall of 1994. Ramberg had apparently appreciated a review I wrote of the disc which ran in the late, great [...]

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Record Review from web archive May 1, 2009

Tim Easton

Tim Easton plays and sings like an old man. For the record, that’s meant as praise, not a taunt. He often sounds as if he’s channeling any number of discovered-late bluesmen, as well as Doc Watson and everybody’s favorite great-uncle Bob Dylan (especially right after Uncle Bob went electric in his younger days). His voice [...]

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Record Review from web archive April 30, 2009

Nakia

Soul music. With its categories and subcategories – from northern and neo to country and deep – it can be a tough concept to pin down. You might want to rely on a variation of that classic method for identifying porn: you know it when you hear it. On the first half of this assured [...]

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Record Review from web archive April 29, 2009

Slaid Cleaves

There’s something sleight-of-hand-ish about Slaid Cleaves’ new CD. While thematically and even in mood, the songs reflect the album’s dour title, it’s impossible to listen to these tracks and not feel a sense of uplift and hope. Part of that optimism stems from Cleaves’ voice, a boyish, casual, slightly scuffed tenor that belies the Austin [...]

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Record Review from web archive April 28, 2009

King Wilkie

The King Wilkie of 2009 is not the same King Wilkie that heartened fans of traditional bluegrass with their youthful prowess five years ago. Nor is it the same King Wilkie that offered weighty, polished acoustic fare even a couple years back. No, this is, quite literally, a different band. Gone is most of the [...]

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Record Review from web archive April 24, 2009

Eilen Jewell

Eilen Jewell can brood with the best of them. As she pushes forth her way-down-but-not-quite-out tunes on Sea Of Tears, her third album, you can just about feel the scar tissue that has built up around her heart. You can almost see the fog rolling in around her. Jewell evokes the same knowingly dolorous spirit [...]

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Record Review from web archive April 23, 2009

Jesse Winchester

It’s been nearly 40 years since Jesse Winchester released his first album, a spare and loose-limbed masterpiece right down to the gaunt cover shot of the exiled Winchester giving the camera a haunted stare. Looking at that picture and hearing that record’s anguished songs of pained longing on, it was hard to imagine that Winchester [...]

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Record Review from web archive April 22, 2009

Webb Wilder

At first, Webb Wilder seemed like a novelty act. He wore the glasses and the suits, he had that basso profundo vocal trick, and his songs were a bit nonsensical. But seeing him perform live made it obvious that this was a man steeped in the traditions of rock, country and soul, and that he [...]

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Record Review from web archive April 21, 2009

Allen Toussaint

In an illustrious recording career spanning some five decades – as an artist, songwriter, arranger, producer – Allen Toussaint has never fronted a project anything like this. Containing only one vocal track, his latest collaboration with producer Joe Henry spotlights Toussaint’s bluesy elegance as a piano player. And in doing so, it leapfrogs over his [...]

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From the Blogs

  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]

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