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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Bookazine #77 (SOLD OUT)
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Bookazine #77 (SOLD OUT)

WE ARE SOLD OUT OF THIS BOOKAZINE BUT IT IS AVAILABLE AT AMAZON. CLICK HERE TO PURCHASE FROM AMAZON

No Depression #77 is the second in our “bookazine” series published with University of Texas Press. This book centers around the phrase “instruments of change,” and the various ways in which those words may be interpreted: from actual musical instruments (a tale about the personal history Dock Boggs’ banjo, an overview of Texas accordion culture) to renowned instrumentalists (profiles of virtuoso mandolinist Chris Thile and A-Team bassist Bob Moore) to artists who played instrumental roles in changing music (country-rock pioneer Chris Hillman, country-punk innovators Jason & the Nashville Scorchers).

For most of its thirteen-year history as a print magazine, No Depression sought to be an instrument of change: to draw attention to the deep well of American musical traditions; to shine a light on performers whose gifts far exceed the size of their audiences or their pocketbooks; to provide a safe harbor for the best long-form writing about music on the newsstand.

As with ND #76 (which kicked off the series in the fall of 2008), this bookazine – edited by ND co-founders Grant Alden and Peter Blackstock – also includes a photo essay (this one a series of shots from Santa Monica’s Fabled guitar store/music venue McCabe’s), and an appendix featuring reviews of some of the higher-profile roots-oriented records of recent months.

Here’s the full Table of Contents for ND #77:

• Dock Boggs’ Banjo (by Jesse Fox Mayshark)

• The Voices of Como Now (by Edd Hurt)

• The Accordions of Texas (by Joe Nick Patoski)

• Bob Moore’s Bass (by Rich Kienzle)

• The Words of Bob Martin (by Bill Friskics-Warren)

• Photographs from McCabe’s (by Roman Cho)

• Chris Thile’s Mandolin (by Seth Mnookin)

• Chris Hillman’s Country-Rock (by Barry Mazor)

• Jason & the Nashville Scorchers’ Country-Punk (by Don McLeese)

• Jeffrey Hatcher’s Songs Of Healing (by Paul Cantin)

• The Words of Phil Ochs (by Kenneth J. Bernstein)

• Appendix: Reviews of albums by Buddy & Julie Miller, Neko Case, Madeleine Peyroux, David Byrne & Brian Eno, and Bruce Robison, plus a Doug Sahm tribute disc.

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